Complete Works (JSW) Klavierwerke 2 by Jean Sibelius Piano Solo - Sheet Music

By Jean Sibelius

The present volume of the Complete Edition comprises a truly homogenous group: all the piano works from the "Ten Piano Pieces" op. 58 to the "Treize Morceaux" Op. 76. No doubt the best known pieces among them are the "Three Sonatinas" op. 67, which were played so masterfully (and were so highly esteemed) by Glenn Gould. All the pieces were written within the space of ten years, between 1909 and 1919, at a time when Sibelius was already an internationally renowned composer. He was, however, dependent on the smaller, short-term commissions and their honorariums for his livelihood. During World War I, it was impossible for Sibelius in Helsinki to maintain his contacts with the major European concert halls. This difficult situation also helped prompt the creation of the pieces written after 1914 and grouped by the composer and his Finnish publishers into the opp. 75 and 76.

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Details

Summary
Instrument:
Piano Solo
Genres:
Romantic Period 20th Century Scandinavian
Composers:
Jean Sibelius
Publishers:
Breitkopf and Haertel
ISBN:
9790004802786
Item types:
Physical
Artist:
Jean Sibelius
Usages:
School and Community
Size:
9 x 12 inches
Number of Pages:
208
Shipping Weight:
2.8 pounds
Detailed Description
Piano

SKU: BR.SON-612

Klavierwerke 2. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 208 pages. Breitkopf and Haertel #SON 612. Published by Breitkopf and Haertel (BR.SON-612).

ISBN 9790004802786. 9 x 12 inches.

The present volume of the Complete Edition comprises a truly homogenous group: all the piano works from the "Ten Piano Pieces" op. 58 to the "Treize Morceaux" Op. 76. No doubt the best known pieces among them are the "Three Sonatinas" op. 67, which were played so masterfully (and were so highly esteemed) by Glenn Gould. All the pieces were written within the space of ten years, between 1909 and 1919, at a time when Sibelius was already an internationally renowned composer. He was, however, dependent on the smaller, short-term commissions and their honorariums for his livelihood. During World War I, it was impossible for Sibelius in Helsinki to maintain his contacts with the major European concert halls. This difficult situation also helped prompt the creation of the pieces written after 1914 and grouped by the composer and his Finnish publishers into the opp. 75 and 76.

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