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21875374
21875374
21875374

CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala

Digital Sheet Music

By Francisco Tarrega (1852-1909)

https://www.sheetmusicplus.com/title/capricho-arabe-for-guitar-by-tarrega-rev-and-fing-by-flavio-sala-digital-sheet-music/21875374?ac=1&aff_id=563807

Guitar - Intermediate - Digital Download
Composed by Francisco Tarrega (1852-1909). Arranged by Flavio Sala. 20th Century, Romantic Period, Post-Romantic. Score. 6 pages. Published by Flavio Sala (S0.887515).

Item Number: S0.887515

Francísco Tárrega (1852 – 1909) è il fondatore della Scuola Chitarristica Spagnola, la solache può vantare più di 150 anni distoria e un unico filo conduttore.

Partitodall’opera di Fernando Sor (1778 –1839) e di Dionisio Aguado (1784 –1849), Tàrrega ampliò e affinò la tecnica, arricchendo la chitarra classica dinuovi mezzi espressivi e di repertorio. Tali innovazioni sono giunte fino ainostri giorni grazie ai suoi numerosi discepoli diretti, tra cui Miguel Llobet, Daniel Fortea e PascualRoch e indiretti: Andrés Segovia,Regino ed Eduardo Sainz de la Maza, AlirioDíaz, Pasqualino Garzia e molti altri.

Emilio Pujol (1886 – 1980), che studiò con Tárrega durante gliultimi 7 anni di vita di quest’ultimo, raccolse l’eredità del Maestro in un monumentalemetodo, in 4 volumi, di inestimabile valore: la Escuela Razonada de la Guitarra,basada en los principios de la técnica de Tárrega, con una prefazione di Manuel De Falla, portando a termine ciò che perTárrega restò un sogno e che la morte prematura non gli permise neanche diiniziare.

Il CaprichoÁrabe, scritto nel1899, è forse la composizione più celebrata di Tárrega, dopo Recuerdosde la Alhambra.

In questarevisione ho tenuto presente la versione pubblicata in Spagna dall’editore UnionMusical Española e le biografie più importanti scritte su Tárrega:EmilioPujol: Tárrega (Edizioni: L’empreinte mélodique), Wolf Moser: Francisco Tárrega yla guitarra en España entre 1830 y 1960 (Edizioni: Piles) e AdriánRius Espinós: Francisco Tárrega, una biografíadocumental (Edizioni:Orphenica Lyra).

Alla luce di taliletture, ho ritenuto opportuno segnare le dinamiche e omettere alcuniabbellimenti e glissati. Lo stesso Tárrega, infatti, pare ebbe dei ripensamentia riguardo. Ho mantenuto, pertanto, quelli nelle ripetizioni, tagliando glialtri. Ho aggiunto e cambiato alcune diteggiature di entrambe le mani, considerandol’evoluzione della chitarra classica anche dal punto di vista della costruzione,nonché la tecnica flamenca. Infine, l’idea nell’Introduzione, di eseguire laseconda scala discendente, interamente con la sola mano sinistra, è, invece,totalmente mia.

Bojano, 29Settembre 2020.

Flavio Sala.

***

Francísco Tárrega(1852 - 1909) is the founder of the SpanishGuitar School, the only one that can boast more than 150 years of history and a single thread.

Starting from the work of Fernando Sor (1778 - 1839) and DionisioAguado (1784 - 1849), Tárrega expanded and refined the technique, enrichingthe classical guitar with new means of expression and repertoire. Theseinnovations have come down to our days thanks to his many direct disciples,including Miguel Llobet, DanielFortea and Pascual Roch and indirect: AndrésSegovia, Regino and Eduardo Sainz de la Maza, Alirio Díaz, Pasqualino Garzia and many others.

Emilio Pujol (1886- 1980), who studied with Tárrega during the last 7 years of the latter's life,collected the legacy of the Master in a monumental method, in 4 volumes, ofinestimable value: the Escuela Razonada de la Guitarra, basada enlos principes de la técnica de Tárrega, with a preface by Manuel De Falla,completing what remained a dream for Tárrega and which premature death did noteven allow him to begin.

The Capricho Árabe,written in 1899, is perhaps Tárrega's most celebrated composition, after Recuerdos de la Alhambra.

For this score, I have kept in mind the version published inSpain by Union Musical Española and the most important biographieswritten on Tárrega: Emilio Pujol: Tárrega (Editions: L'empreinte mélodique), WolfMoser: Francisco Tárrega y la guitarra en España entre 1830 and 1960(Editions: Piles) and Adrián Rius Espinós: Francisco Tárrega, una biografíadocumental (Editions: Orphenica Lyra).

I thought it appropriate to mark the dynamics and omit some embellishmentsand glissandi. In fact, Tárregahimself apparently had changed idea about them. I therefore kept those in therepetitions, cutting out the others. I added and changed some fingerings ofboth hands, considering the evolution of the classical guitar also from thepoint of view of construction, as well as the flamenco technique. Finally, theidea in the Introduction, to perform the second descending scale, entirely withthe left hand only, is, however, totally mine.

Bojano, 29September 2020.

Flavio Sala.

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  • Ratings + Reviews

  • 5

    Streamingzito -Castagna Bruno
    Location:
    milano
    Difficulty Level:
    Intermediate/advanced
  • October 15, 2020 Capricho arabe

    Ottimo, grazie maestro Sala Flavio

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