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Barenreiter Opera Kleidoscope for Soprano

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Soprano voice solo, piano accompaniment (Soprano Voice Solo, piano)
This edition: urtext edition. Stapled. Vocal score, anthology. 62 pages. Duration 10 minutes. Baerenreiter Verlag #BA08828. Published by Baerenreiter Verlag (BA.BA08828).

Item Number: BA.BA08828

ISBN 9790006564033. 27 x 19 cm inches. Text language: German, English.

An appetiser for our high-quality Urtext opera vocal scores aEUR give it a try and enjoy!

This collection of opera arias for soprano (or mezzo-soprano) and piano offers a cross-section of BA$?renreiter's extensive catalogue of stage works.

An affordable anthology with such well-known and favourite arias as Handel's famous Ombra mai fu and Mozart's Ach ich fA1/4hl's, es ist verschwunden! is not only suited for voice students and aspiring singers preparing for examinations and auditions, but also provides seasoned professionals with inspiration and material for programming their recitals.
The collection spans a representative arch from the early baroque to the romantic era, gathering together repertoire masterpieces by Monteverdi, Handel, Gluck, Haydn, Mozart, Beethoven, Berlioz, Smetana and Chabrier. The pieces are in Italian, French, Czech and German and include, for the most part, a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The piano arrangements have been prepared by experienced conductors and repetiteurs.

* A BA$?renreiter anthology for opera singers
* Contains important arias from the opera repertoire for (mezzo-)soprano

Ludwig van Beethoven: O wA$?r' ich schon mit dir vereint, Marzelline's aria from Fidelio / Hector Berlioz: Adieu, fiAre cite, Dido's aria from Les Troyens / Emmanuel Chabrier: A petite etoile !, Lazuli's romance from L'A%0toile /Christoph Willibald Gluck: Divinites du Styx, Alceste's aria from Alceste (Paris version 1776) / Christoph Willibald Gluck: Qual vita A questa mai aEUR Che fiero momento, Eurydice's recitative and aria from Orfeo ed Euridice (Vienna version 1762) / George Frideric Handel: Tornami a vagheggiar, Morgana's aria from Alcina (HWV 34) / George Frideric Handel: Frondi tenere aEUR Ombra mai fu, Xerxes' recitative and aria from Serse HWV 40 / Joseph Haydn: A^ amore di natura, Nerina's aria from La fedeltA premiata Hob. XXVIII:10 / Claudio Monteverdi: Signor, quel infelice, Proserpina's aria from L'Orfeo / Wolfgang Amadeus Mozart: Ach ich fA1/4hl's, es ist verschwunden!, Pamina's aria from The Magic Flute K. 622 / Wolfgang Amadeus Mozart: Giunse alfin il momento aEUR Deh vieni non tardar, Susanna's recitative and aria from The Marriage of Figaro K. 492 / Bedrich Smetana: Kdybych se co takoveho (If I ever should find out), Mary's aria from ProdanA! nevesta (The Bartered Bride).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?

- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding


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