• Adagio in G major Op. 38 by Woldemar Bargiel Piano Accompaniment - Sheet Music
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Adagio in G major Op. 38 by Woldemar Bargiel Piano Accompaniment - Sheet Music

By Woldemar Bargiel

All signs are pointing to a revival of the music of Woldemar Bargiel, who will hopefully soon be as esteemed again as he was at the beginning of the 20th century. His slender oeuvre is stylistically original, even if one can easily detect the guiding influence of Schumann and Brahms. Bargiel's Adagio Op. 38 for cello and orchestra enjoyed an extraordinary popularity during its day and was published in many editions for various solo instruments and piano. In the meantime, the work has once again been thrust into the center of attention by the recording of Steffen Isserlis and the Deutsche Kammerphilharmonie under Christoph Eschenbach.Bargiel's Adagio Op. 38 for cello and orchestra enjoyed an extraordinary popularity at the beginning of the 20th century and was published in many editions for various solo instruments and piano.

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Details

Summary
Instrument:
Piano Accompaniment Cello Solo
Genres:
Romantic Period
Composers:
Woldemar Bargiel
Publishers:
Breitkopf and Haertel
ISBN:
9790004181072
Format:
Reduction
Item types:
Physical
Musical forms:
Concerto
Artist:
Woldemar Bargiel
Usages:
School and Community
Size:
9 x 12 inches
Number of Pages:
16
Shipping Weight:
0.24 pounds
Detailed Description
Cello and piano (solo: vc – 2.2.2.2. – 2.0.0.0. – str)

SKU: BR.EB-8552

Composed by Woldemar Bargiel. Edited by Joachim Draheim. Solo instruments; stapled. Edition Breitkopf. Bargiel's Adagio Op. 38 for cello and orchestra enjoyed an extraordinary popularity at the beginning of the 20th century and was published in many editions for various solo instruments and piano. Solo concerto; Romantic. Piano reduction. 16 pages. Duration 11'. Breitkopf and Haertel #EB 8552. Published by Breitkopf and Haertel (BR.EB-8552).

ISBN 9790004181072. 9 x 12 inches.

All signs are pointing to a revival of the music of Woldemar Bargiel, who will hopefully soon be as esteemed again as he was at the beginning of the 20th century. His slender oeuvre is stylistically original, even if one can easily detect the guiding influence of Schumann and Brahms. Bargiel's Adagio Op. 38 for cello and orchestra enjoyed an extraordinary popularity during its day and was published in many editions for various solo instruments and piano. In the meantime, the work has once again been thrust into the center of attention by the recording of Steffen Isserlis and the Deutsche Kammerphilharmonie under Christoph Eschenbach.

Bargiel's Adagio Op. 38 for cello and orchestra enjoyed an extraordinary popularity at the beginning of the 20th century and was published in many editions for various solo instruments and piano.

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