4168908
The Final Covenant
4168908
4168908
The Final Covenant Concert Band scores gallery preview page 1
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The Final Covenant by Fisher Tull Concert Band - Sheet Music

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The Final Covenant for Symphonic Band or Wind Ensemble by Fisher Tull Concert Band - Sheet Music

By Fisher Tull

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Details

  • Ensembles:
    Concert Band
    Genres:
    20th Century Contemporary
    Composers:
    Fisher Tull
    Publishers:
    Boosey & Hawkes
    Instrumentation:
    2 - Baritone B.C. - 2
    2 - Baritone T.C. - 2
    4 - Bassoon 1 & 2 - 2
    2 - Bb Bass Clarinet - 2
    2 - Bb Clarinet 1 - 4
    2 - Bb Clarinet 2 - 4
    2 - Bb Clarinet 3 - 4
    2 - Bb Contra Bass Clarinet - 2
    2 - Bb Tenor Sax - 2
    2 - Bb Trumpet 1 - 3
    2 - Bb Trumpet 2 - 3
    2 - Bb Trumpet 3 - 3
    2 - Celesta & Tambourine - 1
    2 - Chimes - 1
    2 - Eb Alto Clarinet - 2
    2 - Eb Alto Sax 1 - 1
    2 - Eb Alto Sax 2 - 1
    2 - Eb Baritone Sax - 2
    2 - Eb Clarinet - 1
    2 - Eb Contra Bass Clarinet - 2
    2 - English Horn - 1
    2 - F Horn 1 & 2 - 2
    2 - F Horn 3 & 4 - 2
    2 - Flute 1/Picollo - 3
    2 - Flute 2 - 3
    28 - Full Score - 1
    2 - Oboe 1 & 2 - 2
    2 - String Bass - 1
    2 - Timpani - 1
    2 - Triangle,Susp. Cymbal,Crotales - 1
    2 - Trombone 1 - 2
    2 - Trombone 2 - 2
    2 - Trombone 3 - 2
    2 - Tuba - 5
    2 - Vibraphone & Glockenspiel - 1
    UPC:
    073999505528
Concert Band (Score & Parts)

SKU: HL.48006649

For Symphonic Band or Wind Ensemble. Composed by Fisher Tull. Boosey & Hawkes Concert Band. Classical, Contemporary. 176 pages. Boosey & Hawkes #M051641116. Published by Boosey & Hawkes (HL.48006649).

UPC: 073999505528. 9.0x12.0x0.727 inches.

As the title implies, the work expresses the deep religious emotions of the promises made by God to mankind. Two thematic elements are employed: the first, a dramatic proclamation, is introduced by horns and subsequently taken by trumpets and woodwinds; the second plaintive theme, in the manner of a supplication, is presented by oboes followed by flutes and clarinets. The first theme returns leading to a climactic section by the full ensemble. A development section focuses on fragments from the principal theme culminating in a brief brass fanfare based on the earlier accompanying motives. The recapitulation of the principal theme brings the work to a quiet and peaceful close. (8:00).