• Dances and Interludes by Howard J. Buss Guitar Solo - Sheet Music

Dances and Interludes by Howard J. Buss Guitar Solo - Sheet Music

By Howard J. Buss

Dances and Interludes for solo guitar by Howard J. Buss was commissioned by guitarist, Robert Phillips. It features three dance-like sections preceded by a soulful introduction and separated by developmental interludes. The composer was inspired by styles from 3 countries: the songo from Cuba, bossa nova from Brazil, and rumba flamenco from Spain. Traditionally, the songo combines elements of the folkloric rumba with popular Cuban dance music. The Latin beat of the songo is specifically designed for the drum set. Although drums are not used in this piece, the first dance, ala songo, captures the choppy, energetic flavor of the Cuban model. The interlude that follows transitions to the mood for the second dance, ala bossa nova. This section has the smoother, more relaxed quality of this popular Brazilian style. It gradually gives way to the final dance, ala rumba flamenco. The energetic strumming patterns, colorful effects with muted strings, percussive interjections with the palm of the hand and fingertips capture the spirit of this exciting Andalusian genre.

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Details

Summary
Instrument:
Guitar Solo
Genres:
21st Century Flamenco Bossa nova
Composers:
Howard J. Buss
Publishers:
Brixton Publications
Format:
Score
Item types:
Physical
Artist:
Howard J. Buss
Usages:
School and Community
Size:
8.5x11 inches
Shipping Weight:
0.52 pounds
Detailed Description
Solo guitar solo guitar - Grade 5

SKU: B7.B463

Composed by Howard J. Buss. This work features 3 dance-like sections preceded by a soulful introduction and separated by developmental interludes. The composer was inspired by styles from 3 countries: the songo from Cuba, bossa nova from Brazil, and rumba flamenco from Spain. 21st Century. Score. Brixton Publications #B463. Published by Brixton Publications (B7.B463).

8.5x11 inches.

Dances and Interludes for solo guitar by Howard J. Buss was commissioned by guitarist, Robert Phillips. It features three dance-like sections preceded by a soulful introduction and separated by developmental interludes. The composer was inspired by styles from 3 countries: the songo from Cuba, bossa nova from Brazil, and rumba flamenco from Spain. Traditionally, the songo combines elements of the folkloric rumba with popular Cuban dance music. The Latin beat of the songo is specifically designed for the drum set. Although drums are not used in this piece, the first dance, ala songo, captures the choppy, energetic flavor of the Cuban model. The interlude that follows transitions to the mood for the second dance, ala bossa nova. This section has the smoother, more relaxed quality of this popular Brazilian style. It gradually gives way to the final dance, ala rumba flamenco. The energetic strumming patterns, colorful effects with muted strings, percussive interjections with the palm of the hand and fingertips capture the spirit of this exciting Andalusian genre.

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