• 12 Etudes transcendentales by Wilhelm Killmayer Piano Method - Sheet Music

12 Etudes transcendentales for Piano by Wilhelm Killmayer Piano Method - Sheet Music

By Wilhelm Killmayer

Unlike the highly virtuoso Etudes d'execution transcendante by Franz Liszt,these etudes by Wilhelm Killmayer are written 'in a deliberately anti-virtuosomanner, without chroma, i.e. with seven tones and largely in two parts'. (Wilhelm Killmayer)Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages.Killmayer makes great demands on the pianist's concentration, subtly coloured performance and differentiated articulation. The seventh etude is given the title 'Im Schumann-Ton' - unforced heartfelt music, always somehow 'absent' and unpredictable in its modulations.

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$33.00
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Details

Summary
Instrument:
Piano Method Piano Solo
Genres:
20th Century
Composers:
Wilhelm Killmayer
Publishers:
Schott Music
UPC:
073999329070
ISBN:
9790001112116
Item types:
Physical
Instructionals:
Etudes and Exercises
Level:
Advanced
Musical forms:
Etude
Artist:
Wilhelm Killmayer
Usages:
Sacred
Number of Pages:
28
Size:
9.0x12.0x0.113 inches
Shipping Weight:
0.36 pounds
Detailed Description
Piano - advanced

SKU: HL.49015479

For Piano. Composed by Wilhelm Killmayer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1991-1992. 28 pages. Duration 26'. Schott Music #ED8398. Published by Schott Music (HL.49015479).

ISBN 9790001112116. UPC: 073999329070. 9.0x12.0x0.113 inches.

Unlike the highly virtuoso Etudes d'execution transcendante by Franz Liszt,these etudes by Wilhelm Killmayer are written 'in a deliberately anti-virtuosomanner, without chroma, i.e. with seven tones and largely in two parts'. (Wilhelm Killmayer)Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages.Killmayer makes great demands on the pianist's concentration, subtly coloured performance and differentiated articulation. The seventh etude is given the title 'Im Schumann-Ton' - unforced heartfelt music, always somehow 'absent' and unpredictable in its modulations.

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