• 1. X. 1905 by Leos Janacek Piano Solo - Sheet Music
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1. X. 1905 Piano Sonata by Leos Janacek Piano Solo - Sheet Music

By Leos Janacek

The composition “1.X.1905,” generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janácek's hometown Brno. Reacting to the violent death of a Czech worker, Janácek wrote a three-part composition for piano originally bearing the title “From the Street, on October 1, 1905.” Dissatisfied with the work, however, Janácek is said to have first burned the third movement in his fireplace and then thrown the remaining two movements into the Vltava, even before its premiere. A copy of these first two movements on which the publication of the first edition was later based is also missing today. For this reason, the Urtext edition of G. Henle Publishers and Universal Edition is based solely on thefirst edition from 1924, which Janácek expert Jirí Zahrádka has carefully evaluated and annotated for this volume.

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Details

Summary
Instrument:
Piano Solo
Genres:
20th Century
Composers:
Leos Janacek
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
840126913439
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Sonata
Artist:
Leos Janacek
Usages:
School and Community
Number of Pages:
21
Size:
9.0x12.0x0.068 inches
Shipping Weight:
0.29 pounds
Detailed Description
Piano

SKU: HL.51481174

Piano Sonata. Composed by Leos Janacek. Edited by Jirí, Zahrá, and dka. Henle Music Folios. Classical. Softcover. 21 pages. G. Henle #HN1174. Published by G. Henle (HL.51481174).

UPC: 840126913439. 9.0x12.0x0.068 inches. Fingering: Stephen Hough.

The composition “1.X.1905,” generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janácek's hometown Brno. Reacting to the violent death of a Czech worker, Janácek wrote a three-part composition for piano originally bearing the title “From the Street, on October 1, 1905.” Dissatisfied with the work, however, Janácek is said to have first burned the third movement in his fireplace and then thrown the remaining two movements into the Vltava, even before its premiere. A copy of these first two movements on which the publication of the first edition was later based is also missing today. For this reason, the Urtext edition of G. Henle Publishers and Universal Edition is based solely on thefirst edition from 1924, which Janácek expert Jirí Zahrádka has carefully evaluated and annotated for this volume.

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