Chorus (with soloists) and orchestra (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Choral Library. Baroque period. Choral score. Breitkopf and Haertel #ChB 4604-02. Published by Breitkopf and Haertel (BR.CHB-4604-02).
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Chorus (with soloists) and orchestra (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Choral Library. Baroque period. Choral score. Breitkopf and Haertel #ChB 4604-02. Published by Breitkopf and Haertel (BR.CHB-4604-02).
Chorus a cappella Composed by Giovanni Battista Casali. Edited by Anton Reinthaler. Mass. Chor-Bibliothek (Choral Library). Baroque period. Choral score. Breitkopf and Haertel #ChB 5173-02. Published by Breitkopf and Haertel (BR.CHB-5173-02).
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Chorus a cappella Composed by Giovanni Battista Casali. Edited by Anton Reinthaler. Mass. Chor-Bibliothek (Choral Library). Baroque period. Choral score. Breitkopf and Haertel #ChB 5173-02. Published by Breitkopf and Haertel (BR.CHB-5173-02).
Chorus (with soloists) and piano (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. Arranged by Xaver Scharwenka. Solo concerto. Edition Breitkopf.
Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808.
Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 4348. Published by Breitkopf and Haertel (BR.EB-4348).
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Chorus (with soloists) and piano (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. Arranged by Xaver Scharwenka. Solo concerto. Edition Breitkopf.
Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808.
Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 4348. Published by Breitkopf and Haertel (BR.EB-4348).
Chorus (with soloists) and piano (solos: TB - choir: TTB - 1.2.0.0. - 2.0.0.0. - str) Laut verkuende unsre Freude. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Carl Reinecke. Arranged by Carl Reinecke. Cantata. Edition Breitkopf. Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 5930. Published by Breitkopf and Haertel (BR.EB-5930).
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Chorus (with soloists) and piano (solos: TB - choir: TTB - 1.2.0.0. - 2.0.0.0. - str) Laut verkuende unsre Freude. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Carl Reinecke. Arranged by Carl Reinecke. Cantata. Edition Breitkopf. Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 5930. Published by Breitkopf and Haertel (BR.EB-5930).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.0.0.2bassethn.2 - 0.2.3.0 - timp - org - str) Urtext - Completion based on Eybler/Suessmayr. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Gunther Raphael / Chr Riedel. Arranged by Chr Riedel and G. Raphael. Requiem. Edition Breitkopf. In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory "Libera me, Domine". Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 8585. Published by Breitkopf and Haertel (BR.EB-8585).
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Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.0.0.2bassethn.2 - 0.2.3.0 - timp - org - str) Urtext - Completion based on Eybler/Suessmayr. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Gunther Raphael / Chr Riedel. Arranged by Chr Riedel and G. Raphael. Requiem. Edition Breitkopf. In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory "Libera me, Domine". Classical period. Piano/Vocal Score. Breitkopf and Haertel #EB 8585. Published by Breitkopf and Haertel (BR.EB-8585).
Chorus (with soloists) and piano (solos: STB - choir: SATB - 0.2rec.2.0.0 - 0.1.0.0 - str - bc) Quinquagesima Sunday [Estomihi]. Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Dorffel. Arranged by Gunter Raphael. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7127. Published by Breitkopf and Haertel (BR.EB-7127).
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Chorus (with soloists) and piano (solos: STB - choir: SATB - 0.2rec.2.0.0 - 0.1.0.0 - str - bc) Quinquagesima Sunday [Estomihi]. Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Dorffel. Arranged by Gunter Raphael. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7127. Published by Breitkopf and Haertel (BR.EB-7127).
Organ Urtext based on the Reger Complete Edition. Composed by Max Reger (1873-1916). Edited by Hans Klotz and Hans Haselbock. Edition Breitkopf. Breitkopf Urtext on the basis of the Reger Complete Edition ed. by Hans Klotz, critically examined by Martin Weyer with an introduction by Hans Haselbock. Romantic period. Score. Breitkopf and Haertel #EB 8512. Published by Breitkopf and Haertel (BR.EB-8512).
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$18.95
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Organ Urtext based on the Reger Complete Edition. Composed by Max Reger (1873-1916). Edited by Hans Klotz and Hans Haselbock. Edition Breitkopf. Breitkopf Urtext on the basis of the Reger Complete Edition ed. by Hans Klotz, critically examined by Martin Weyer with an introduction by Hans Haselbock. Romantic period. Score. Breitkopf and Haertel #EB 8512. Published by Breitkopf and Haertel (BR.EB-8512).
Trio (violin, viola, cello) K. 404a Nos. 4-6. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Johann Nepomuk David. Kammermusik-Bibliothek (Chamber Music Library). The "Six Three-Part Preludes and Fugues" are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Classical period. Score. Breitkopf and Haertel #KM 2302. Published by Breitkopf and Haertel (BR.KM-2302).
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Trio (violin, viola, cello) K. 404a Nos. 4-6. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Johann Nepomuk David. Kammermusik-Bibliothek (Chamber Music Library). The "Six Three-Part Preludes and Fugues" are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Classical period. Score. Breitkopf and Haertel #KM 2302. Published by Breitkopf and Haertel (BR.KM-2302).
Basso continuo (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Orchester-Bibliothek (Orchestral Library). Baroque period. Part. Breitkopf and Haertel #OB 4604-11. Published by Breitkopf and Haertel (BR.OB-4604-11).
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Basso continuo (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Orchester-Bibliothek (Orchestral Library). Baroque period. Part. Breitkopf and Haertel #OB 4604-11. Published by Breitkopf and Haertel (BR.OB-4604-11).
Chorus (with soloists) and orchestra (solos: SBar - choir: TTBB - picc.2.2.cor ang.2(B-clar).2. - 4.3.3.1. - timp.perc(2) - str) Symphonic Poem - Urtext based on the Complete Edition "Jean Sibelius Works" (JSW). Composed by Jean Sibelius (1865-1957). Edited by Glenda D. Goss. Symphonic poem. Partitur-Bibliothek (Score Library). With the world premiere of Kullervo in 1892, Jean Sibelius staked his claim at the age of 27 to the front ranks of the symphonists of his day, long before he began writing his purely instrumental symphonies and tone poems. Early modern. Study Score. Breitkopf and Haertel #PB 5304-07. Published by Breitkopf and Haertel (BR.PB-5304-07).
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"catalogRefId":"19527253",
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Chorus (with soloists) and orchestra (solos: SBar - choir: TTBB - picc.2.2.cor ang.2(B-clar).2. - 4.3.3.1. - timp.perc(2) - str) Symphonic Poem - Urtext based on the Complete Edition "Jean Sibelius Works" (JSW). Composed by Jean Sibelius (1865-1957). Edited by Glenda D. Goss. Symphonic poem. Partitur-Bibliothek (Score Library). With the world premiere of Kullervo in 1892, Jean Sibelius staked his claim at the age of 27 to the front ranks of the symphonists of his day, long before he began writing his purely instrumental symphonies and tone poems. Early modern. Study Score. Breitkopf and Haertel #PB 5304-07. Published by Breitkopf and Haertel (BR.PB-5304-07).
Mixed choir Choral score. Composed by Felix Bartholdy Mendelssohn (1809-1847). Chor-Bibliothek (Choral Library). Romantic. Choral score. Breitkopf and Haertel #CHB-4775. Published by Breitkopf and Haertel (BR.CHB-4775).
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$2.80
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"catalogRefId":"6246808",
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Mixed choir Choral score. Composed by Felix Bartholdy Mendelssohn (1809-1847). Chor-Bibliothek (Choral Library). Romantic. Choral score. Breitkopf and Haertel #CHB-4775. Published by Breitkopf and Haertel (BR.CHB-4775).
Chorus (with soloists) and piano (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7104. Published by Breitkopf and Haertel (BR.EB-7104).
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Chorus (with soloists) and piano (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7104. Published by Breitkopf and Haertel (BR.EB-7104).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn. - 4.2.3.0. - timp.perc - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. Arranged by Carl Reinecke. Symphony. Edition Breitkopf.
The edition does justice to the principle of source criticism for performance practice. In addition to an evaluation of the sources and metronome markings, Hauschild questions the dynamic markings, notated negligently by Beethoven and his copyists.
Classical period. Piano reduction/vocal score. Breitkopf and Haertel #EB 8633. Published by Breitkopf and Haertel (BR.EB-8633).
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"catalogRefId":"8290645",
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Chorus (with soloists) and piano (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn. - 4.2.3.0. - timp.perc - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. Arranged by Carl Reinecke. Symphony. Edition Breitkopf.
The edition does justice to the principle of source criticism for performance practice. In addition to an evaluation of the sources and metronome markings, Hauschild questions the dynamic markings, notated negligently by Beethoven and his copyists.
Classical period. Piano reduction/vocal score. Breitkopf and Haertel #EB 8633. Published by Breitkopf and Haertel (BR.EB-8633).
Chorus (with soloists) and piano (solos: SpSS - choir: SSAA - 2.2.2.2. - 2.3.3.0.oph - timp.perc(2) - str) Music to Shakespeare's Comedy - Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. Arranged by E. Richter and H. Dohnert. Stage/film Music. Edition Breitkopf. Romantic period. Piano/Vocal Score. Breitkopf and Haertel #EB 8720. Published by Breitkopf and Haertel (BR.EB-8720).
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Chorus (with soloists) and piano (solos: SpSS - choir: SSAA - 2.2.2.2. - 2.3.3.0.oph - timp.perc(2) - str) Music to Shakespeare's Comedy - Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. Arranged by E. Richter and H. Dohnert. Stage/film Music. Edition Breitkopf. Romantic period. Piano/Vocal Score. Breitkopf and Haertel #EB 8720. Published by Breitkopf and Haertel (BR.EB-8720).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2(ob d'am).0.0. - 2.0.0.0. - str - bc) Herkules auf dem Scheideweg - Dramma per musica - Urtext. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Gruss. Arranged by Bernhard Todt. Cantata. Edition Breitkopf.
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.
Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7213. Published by Breitkopf and Haertel (BR.EB-7213).
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"catalogRefId":"2666539",
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Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2(ob d'am).0.0. - 2.0.0.0. - str - bc) Herkules auf dem Scheideweg - Dramma per musica - Urtext. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Gruss. Arranged by Bernhard Todt. Cantata. Edition Breitkopf.
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.
Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7213. Published by Breitkopf and Haertel (BR.EB-7213).
Woodwinds (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Orchester-Bibliothek (Orchestral Library). Baroque period. Set of parts. Breitkopf and Haertel #OB 4604-30. Published by Breitkopf and Haertel (BR.OB-4604-30).
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Woodwinds (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Orchester-Bibliothek (Orchestral Library). Baroque period. Set of parts. Breitkopf and Haertel #OB 4604-30. Published by Breitkopf and Haertel (BR.OB-4604-30).
Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.3(obd'am).0.0. - 0.3.0.0. - timp - str - bc) Composed by Johann Sebastian Bach (1685-1750). Edited by Diethard Hellmann. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 6970. Published by Breitkopf and Haertel (BR.EB-6970).
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"catalogRefId":"2664286",
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Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.3(obd'am).0.0. - 0.3.0.0. - timp - str - bc) Composed by Johann Sebastian Bach (1685-1750). Edited by Diethard Hellmann. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 6970. Published by Breitkopf and Haertel (BR.EB-6970).
Chorus (with soloists) and orchestra (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. Solo concerto. Partitur-Bibliothek (Score Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Classical period. Full score. Breitkopf and Haertel #PB 5230. Published by Breitkopf and Haertel (BR.PB-5230).
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"catalogRefId":"2682694",
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Chorus (with soloists) and orchestra (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. Solo concerto. Partitur-Bibliothek (Score Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Classical period. Full score. Breitkopf and Haertel #PB 5230. Published by Breitkopf and Haertel (BR.PB-5230).
Chorus (with soloists) and orchestra (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Partitur-Bibliothek (Score Library). Baroque period. Full score. Breitkopf and Haertel #PB 4604. Published by Breitkopf and Haertel (BR.PB-4604).
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$17.95
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"catalogRefId":"2677909",
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Chorus (with soloists) and orchestra (solos: TB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0. - 0.0.0.0. - str - bc) Misericordia Domini (2nd Sunday after Easter). Composed by Johann Sebastian Bach (1685-1750). Cantata. Partitur-Bibliothek (Score Library). Baroque period. Full score. Breitkopf and Haertel #PB 4604. Published by Breitkopf and Haertel (BR.PB-4604).
Chorus (with soloists) and piano (solos: SATTBB - choir: SATTBB - 2.2(ob d'am).0.0. - 0.3.0.0. - timp - str - bc) Der Streit zwischen Phoebus und Pan - Dramma per musica. Composed by Johann Sebastian Bach (1685-1750). Edited by Bernhard Todt. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7201. Published by Breitkopf and Haertel (BR.EB-7201).
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$14.95
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"catalogRefId":"2666433",
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Chorus (with soloists) and piano (solos: SATTBB - choir: SATTBB - 2.2(ob d'am).0.0. - 0.3.0.0. - timp - str - bc) Der Streit zwischen Phoebus und Pan - Dramma per musica. Composed by Johann Sebastian Bach (1685-1750). Edited by Bernhard Todt. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7201. Published by Breitkopf and Haertel (BR.EB-7201).
Chorus (with soloists) and piano (solos: SATB (choir: SATB) - 0.2.cor ang.0.0 - 0.0.0.0 - org (solo) - str - bc) 21st Sunday after Trinity - reconstruction. Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Breig. This edition: piano reduction/vocal score. Cantata. Edition Breitkopf.
Step by step, Breig reconstructs the entire introductory movement.
Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7188. Published by Breitkopf and Haertel (BR.EB-7188).
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"catalogRefId":"2666313",
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Chorus (with soloists) and piano (solos: SATB (choir: SATB) - 0.2.cor ang.0.0 - 0.0.0.0 - org (solo) - str - bc) 21st Sunday after Trinity - reconstruction. Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Breig. This edition: piano reduction/vocal score. Cantata. Edition Breitkopf.
Step by step, Breig reconstructs the entire introductory movement.
Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7188. Published by Breitkopf and Haertel (BR.EB-7188).
Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.2(2ob d'am).0.0. - 0.0.0.0. - str - bc) 8th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7178. Published by Breitkopf and Haertel (BR.EB-7178).
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"catalogRefId":"2666211",
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Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.2(2ob d'am).0.0. - 0.0.0.0. - str - bc) 8th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7178. Published by Breitkopf and Haertel (BR.EB-7178).
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 0.2.ob da cac.0.0. - 0.0.0.0. - str - bc) Trinity Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Bernhard Todt. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7176. Published by Breitkopf and Haertel (BR.EB-7176).
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$12.95
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"catalogRefId":"2666190",
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}
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 0.2.ob da cac.0.0. - 0.0.0.0. - str - bc) Trinity Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Bernhard Todt. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7176. Published by Breitkopf and Haertel (BR.EB-7176).
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 0.2.0.0. - 0.0.0.0. - str - bc) 7th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Siegfried Petrenz. Arranged by Siegfried Petrenz. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7187. Published by Breitkopf and Haertel (BR.EB-7187).
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Chorus (with soloists) and piano (solos: SAB - choir: SATB - 0.2.0.0. - 0.0.0.0. - str - bc) 7th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Siegfried Petrenz. Arranged by Siegfried Petrenz. Cantata. Edition Breitkopf. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 7187. Published by Breitkopf and Haertel (BR.EB-7187).
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