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Mozart and His Piano Concertos Piano Solo - Sheet Music

This classic of music criticism provides detailed studies of 23 of Mozart's piano concertos. In addition to establishing the lines along which the genre developed, the concertos also shed light upon the technical and inspirational growth of their creator. The first full-length survey devoted to these works, this scholarly book presents a full, concrete musical analysis that makes liberal use of musical examples---417 in all---and presents authoritative information on the concertos' form, tone, style, and balance as well as the circumstances of their composition. The author compares and contrasts each piece with Mozart's other works and with compositions by Beethoven, Haydn, and other composers. A definite text for musicologists, performers, teachers, and students, this study's clarity and personable tone make it accessible to any lover of Mozart's music.

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Details

Summary
Instrument:
Piano Solo
Genres:
Classical
Publishers:
Dover Publications
ISBN:
9780486483658
Format:
Collection / Songbook Textbook
Item types:
Physical
Instructionals:
Methods and More Texts, Reference
Musical forms:
Concerto
Usages:
School and Community
Shipping Weight:
0.34 pounds
Detailed Description

SKU: AP.6-483657

Composed by [Wolfgang Amadeus Mozart] By Cuthbert Girdlestone and ed. Sara Davis Buechner. Reference Textbooks; Textbook - General. Dover Edition. Book. Dover Publications #06-483657. Published by Dover Publications (AP.6-483657).

ISBN 9780486483658. English. [Wolfgang Amadeus Mozart] By Cuthbert Girdlestone; ed. Sara Davis Buechner.

This classic of music criticism provides detailed studies of 23 of Mozart's piano concertos. In addition to establishing the lines along which the genre developed, the concertos also shed light upon the technical and inspirational growth of their creator. The first full-length survey devoted to these works, this scholarly book presents a full, concrete musical analysis that makes liberal use of musical examples---417 in all---and presents authoritative information on the concertos' form, tone, style, and balance as well as the circumstances of their composition. The author compares and contrasts each piece with Mozart's other works and with compositions by Beethoven, Haydn, and other composers. A definite text for musicologists, performers, teachers, and students, this study's clarity and personable tone make it accessible to any lover of Mozart's music.

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