Who with Grieving Soweth Die mit Tranen saen - Psalm 126: 5-6 SSATB - Sheet Music

This stirring work may, in more than one respect, be considered a fitting companion to Hassler's Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.This stirring work may, in more than one respect, be considered a fitting companion to Hassler's Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.This stirring work may, in more than one respect, be considered a fitting companion to Hassler'sxa0Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.

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Details

Summary
Instrument:
Choir
Ensembles:
SSATB
Publishers:
Theodore Presser Company
UPC:
680160055821
Format:
Performance Score Octavo
Item types:
Physical
Usages:
Psalms
Number of Pages:
16
Size:
6.875 x 10.5 inches
Shipping Weight:
0.63 pounds
Detailed Description
Choral SSATB Chorus

SKU: PR.352000190

Die mit Tranen saen - Psalm 126: 5-6. Composed by Johann Schein. Octavo. Choral. Performance Score. With Standard notation. 16 pages. Theodore Presser Company #352-00019. Published by Theodore Presser Company (PR.352000190).

UPC: 680160055821. 6.875 x 10.5 inches. English,German. Text: Paul Boepple. Paul Boepple. Psalm 126:5-6.

This stirring work may, in more than one respect, be considered a fitting companion to Hassler's Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.
This stirring work may, in more than one respect, be considered a fitting companion to Hassler's Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.
This stirring work may, in more than one respect, be considered a fitting companion to Hassler'sxa0Ad Dominum cum Tribularer, (Dessoff Choir Series, No. 2). Many outstanding features, such as chromatic instrumentalists, intense dynamic life, and an imaginative, baroque interpretation of the words are to be found in both. But the rich thematic contrasts in Schein's work reveal it as the product of a later generation.

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