Violin and string orchestra; 2 horns in F ad libitum - intermediate
SKU: HL.49012305
Composed by Pietro Nardini. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Classical. Piano Reduction with Solo Part. Op. 1/3. 40 pages. Duration 14'. Schott Music #VLB 23. Published by Schott Music (HL.49012305).
ISBN 9790001102698. 9.0x12.0x0.139 inches.
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.
Violin and string orchestra; 2 horns in F ad libitum - intermediate
SKU: HL.49012305
Composed by Pietro Nardini. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Classical. Piano Reduction with Solo Part. Op. 1/3. 40 pages. Duration 14'. Schott Music #VLB 23. Published by Schott Music (HL.49012305).
ISBN 9790001102698. 9.0x12.0x0.139 inches.
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.
Preview: Violin Concerto Op. 1/3 Reduction
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