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Twinned Set by Anthony Gilbert Bassoon Solo - Digital Sheet Music

By Anthony Gilbert

1. Plain Chant2. Ah, Gee!3. Ghosting4. HeiHielz5. Blue the Wind6. Figure of Eight7. Set in StoneIn 2008, as part of a project initiated by The University of York Music Press, I wrote a pair of matching sets of seven 'préludes' (in the Debussian sense). Each piece in one 'sept' is a variation or adaptation of its non-identical twin in the other. The group for bass clarinet is called Set Two and its matching group is what we are about to hear. Each piece is a reflection upon a different painting, sculpture or photograph I'm particularly attached to, all created by musical colleagues with a flair for the visual arts, by artists with strong musical connections, or by myself. I should emphasise that the musical titles relate to the music rather than to the artworks. The images are, respectively: 1. Icon by Susie MacMurray, former bassoonist and now sculptor of international reputation; 2. Elabyrinth by Conrad Clark, artist son of composer Elisabeth Lutyens; 3. Ghosting, a drawing by myself called Tritone tries for the Skies; 4. Cloud 7 by Celia Gilbert, former cellist and composer's then-16-year-old daughter; 5. Blue Fan by Alix MacSweeney, painter and cellist; 6. Abstract with Violet by Julie Sassoon, composer, performer and painter; and 7. Stone Spiral by Alison Cox, composer and educationalist.Twinned with SET TWO for bass clarinet.

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Details

Summary
Instrument:
Bassoon Solo
Genres:
21st Century
Composers:
Anthony Gilbert
Publishers:
UYMP
Series:
ArrangeMe
Format:
Part
Item types:
Digital
Artist:
Anthony Gilbert
Usages:
School and Community
Number of Pages:
16
Detailed Description
Bassoon, Bassoon Solo - Digital Download

SKU: A0.1706545

Composed by Anthony Gilbert. This edition: pdf. 21st Century. Individual part. 16 pages. UYMP #1270350. Published by UYMP (A0.1706545).

1. Plain Chant

2. Ah, Gee!

3. Ghosting

4. HeiHielz

5. Blue the Wind

6. Figure of Eight

7. Set in Stone

In 2008, as part of a project initiated by The University of York Music Press, I wrote a pair of matching sets of seven 'préludes' (in the Debussian sense). Each piece in one 'sept' is a variation or adaptation of its non-identical twin in the other. The group for bass clarinet is called Set Two and its matching group is what we are about to hear. Each piece is a reflection upon a different painting, sculpture or photograph I'm particularly attached to, all created by musical colleagues with a flair for the visual arts, by artists with strong musical connections, or by myself. I should emphasise that the musical titles relate to the music rather than to the artworks.

The images are, respectively: 1. Icon by Susie MacMurray, former bassoonist and now sculptor of international reputation; 2. Elabyrinth by Conrad Clark, artist son of composer Elisabeth Lutyens; 3. Ghosting, a drawing by myself called Tritone tries for the Skies; 4. Cloud 7 by Celia Gilbert, former cellist and composer's then-16-year-old daughter; 5. Blue Fan by Alix MacSweeney, painter and cellist; 6. Abstract with Violet by Julie Sassoon, composer, performer and painter; and 7. Stone Spiral by Alison Cox, composer and educationalist.

Twinned with SET TWO for bass clarinet.

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