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Trio Evening Concert No. 5 by Paul Hindemith Recorder - Digital Sheet Music

By Paul Hindemith

For the music festival at the 'Staatliche Bildungsanstalt' in Plön on 20 June 1932, Paul Hindemith (1895–1963) composed his 'Plöner Musiktag'. The work consists of 'Morgenmusik', 'Tafelmusik', a cantata and a multi-sectional 'Abendkonzert'. The last part also comprises 'Trio for Recorders' written for recorders in A1 D1 D1 which, according to Hindemith, should be transposed to other temperaments. The Schott edition OFB 208 published in 2008 in a transposed version is scored for descant and two treble recorders (or treble recorder and tenor recorder). Our new edition, however, is oriented towards a Baroque sound ideal and has been set for further instrumentation possibilities: Baroque recorders in F1 C1 C1 or Renaissance recorders in G1 (F1) C1 C1 – for treble recorder and two tenor recorders.L’édition de Schott OFB 208, parue en 2008, est une version – transposée – pour une flûte à bec soprano et deux flûtes à bec alto (ou alto et ténor). Notre nouvelle édition s’oriente en revanche à l’idéal sonore de l’époque baroque et aménage le trio pour d’autres formations : flûtes à bec baroques en fa1 do1 do1 ou flûtes à bec renaissance en sol1 (fa1) do1 do1 – pour flûte à bec alto et deux flûtes à bec ténor.

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Details

Summary
Instrument:
Recorder
Genres:
20th Century
Composers:
Paul Hindemith
Publishers:
Schott Music - Digital
Detailed Description
3 recorders (ATT) - difficult - Digital Download

SKU: S9.Q11636

Evening Concert No. 5. Composed by Paul Hindemith. This edition: score and parts. Original Music for Recorder. Score and parts. Duration 8 minutes. Schott Music - Digital #Q11636. Published by Schott Music - Digital (S9.Q11636).

For the music festival at the 'Staatliche Bildungsanstalt' in Plön on 20 June 1932, Paul Hindemith (1895–1963) composed his 'Plöner Musiktag'. The work consists of 'Morgenmusik', 'Tafelmusik', a cantata and a multi-sectional 'Abendkonzert'. The last part also comprises 'Trio for Recorders' written for recorders in A1 D1 D1 which, according to Hindemith, should be transposed to other temperaments. The Schott edition OFB 208 published in 2008 in a transposed version is scored for descant and two treble recorders (or treble recorder and tenor recorder). Our new edition, however, is oriented towards a Baroque sound ideal and has been set for further instrumentation possibilities: Baroque recorders in F1 C1 C1 or Renaissance recorders in G1 (F1) C1 C1 – for treble recorder and two tenor recorders.

L’édition de Schott OFB 208, parue en 2008, est une version – transposée – pour une flûte à bec soprano et deux flûtes à bec alto (ou alto et ténor). Notre nouvelle édition s’oriente en revanche à l’idéal sonore de l’époque baroque et aménage le trio pour d’autres formations : flûtes à bec baroques en fa1 do1 do1 ou flûtes à bec renaissance en sol1 (fa1) do1 do1 – pour flûte à bec alto et deux flûtes à bec ténor.

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Song List
  • I Lebhaft

  • II Lebhaft

  • III Fugato. Langsam

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