• To What God Shall We Chant Our Songs of Battle? by David Matthews 4-Part - Sheet Music
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To What God Shall We Chant Our Songs of Battle? SATB & Soprano & Tenor Solos by David Matthews 4-Part - Sheet Music

By David Matthews

To What God Shall We Chant Our Songs of Battle? was commissioned by James O'Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War. Stark and gritty yet always rooted in tonality, Matthews's expressive harmonies bring a potent immediacy to the bitter, disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St. Luke's Gospel. Beginning with a violent and impassioned energy, this anthem ultimately offers little consolation. In the words of James O'Donnell it leaves you standing on the edge of an abyss--its impetus petering out in a series of hushed, troubled questions.

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Details

Summary
Instrument:
Choir
Ensembles:
4-Part SATB Mixed Choir
Genres:
20th Century
Composers:
David Matthews
Publishers:
Faber Music
Series:
Choral Signature Series Faber Edition: Choral Signature Series
ISBN:
9780571571574
Format:
Octavo
Item types:
Physical
Artist:
David Matthews
Usages:
Sacred
Shipping Weight:
0.5 pounds
Detailed Description
Choir Sacred (SATB choir)

SKU: AP.12-0571571573

SATB & Soprano & Tenor Solos. Composed by David Matthews. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Faber Edition: Choral Signature Series. 20th Century; Masterwork; Sacred. Choral Octavo. Faber Music #12-0571571573. Published by Faber Music (AP.12-0571571573).

ISBN 9780571571574. English.

To What God Shall We Chant Our Songs of Battle? was commissioned by James O'Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.

Stark and gritty yet always rooted in tonality, Matthews's expressive harmonies bring a potent immediacy to the bitter, disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St. Luke's Gospel. Beginning with a violent and impassioned energy, this anthem ultimately offers little consolation. In the words of James O'Donnell it leaves you standing on the edge of an abyss--its impetus petering out in a series of hushed, troubled questions.

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