• Three Etudes Piano Method - Sheet Music
  • Three Etudes Piano Method - Sheet Music

Three Etudes Piano Piano Method - Sheet Music

The initial stimulus for this set of pieces was a painting by Kandinsky, Composition VII (1913). The painting represents a period when he was concerned with emotional, abstract paintings of two sorts: (a) improvisations ('unconscious, spontaneous expression of inner character, the non-material nature' that contain no recognizable objects, but coloured shapes that express feelings) and (b) compositions ('an expression of a slowly formed inner feeling, tested and worked over repeatedly' that include recognizable objects,but ones that have been 'stripped' and 'veiled'). Taking the latter idea as a starting point I began to mould and form a tripartite piece which conveyed the energy and colour from canvas to notes. The movement titles are derived from the number of notes in the note rows for each movement, i.e. “Etude Four” uses a note row made up of four notes.

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Details

Summary
Instrument:
Piano Method Piano Solo
Genres:
Classical
Publishers:
Schott Music
UPC:
842819120513
ISBN:
9798350115772
Format:
Collection / Songbook
Item types:
Physical
Instructionals:
Etudes and Exercises
Musical forms:
Etude
Usages:
School and Community Sacred
Number of Pages:
12
Size:
9.0x12.0x0.077 inches
Shipping Weight:
0.21 pounds
Detailed Description
Piano

SKU: HL.49047286

Piano. Composed by Daniel Kidane. Piano Solo. Classical, Concert. Softcover. 12 pages. Duration 480 seconds. Schott Music #ED14144. Published by Schott Music (HL.49047286).

ISBN 9798350115772. UPC: 842819120513. 9.0x12.0x0.077 inches.

The initial stimulus for this set of pieces was a painting by Kandinsky, Composition VII (1913). The painting represents a period when he was concerned with emotional, abstract paintings of two sorts: (a) improvisations ('unconscious, spontaneous expression of inner character, the non-material nature' that contain no recognizable objects, but coloured shapes that express feelings) and (b) compositions ('an expression of a slowly formed inner feeling, tested and worked over repeatedly' that include recognizable objects,but ones that have been 'stripped' and 'veiled'). Taking the latter idea as a starting point I began to mould and form a tripartite piece which conveyed the energy and colour from canvas to notes. The movement titles are derived from the number of notes in the note rows for each movement, i.e. “Etude Four” uses a note row made up of four notes.

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