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Composed by Signe Rotter. Paperback. Kieler Schriften zur Musikwissenschaft 47. Book. Baerenreiter Verlag #BVK01571. Published by Baerenreiter Verlag (BA.BVK01571).
Kapitel II: Kompositorische Aneignung der Gattungsnormen in den fruhen Quartetten: Die Streichquartette Nr. 1 C-Dur op. 2 (1894), Nr. 2 c-moll op. 14 (1896) und das unpublizierte f-moll-Quartett o. Op. (1897)
Kapitel III Reflexion der Gattungstradition und individuelle Zyklusgestaltung in den Streichquartetten Nr. 3 F-Dur op. 18 (1897/1900) und Nr. 4 a-moll op. 25 (1904-1909)
Kapitel IV: Kontrapunkt als Befreiung. Satztechnische Differenzierung und motivische Abstraktion in der C-Dur Serenade op. 29 (1910) und im sechsten Streichquartett d-moll op. 35 (1916)
Kapitel V: Tradition und Distanz. Wilhelm Stenhammars kompositorische Entwicklung im Streichquartett
Anhang: Chronologisch -systematische Ubersicht uber Wilhelm Stenhammars Kompositionen
Composed by Signe Rotter. Paperback. Kieler Schriften zur Musikwissenschaft 47. Book. Baerenreiter Verlag #BVK01571. Published by Baerenreiter Verlag (BA.BVK01571).
ISBN 9783761815717. 9.06 x 6.3 inches.
Vorwort
Kapitel I: Voraussetzungen
Kapitel II: Kompositorische Aneignung der Gattungsnormen in den fruhen Quartetten: Die Streichquartette Nr. 1 C-Dur op. 2 (1894), Nr. 2 c-moll op. 14 (1896) und das unpublizierte f-moll-Quartett o. Op. (1897)
Kapitel III Reflexion der Gattungstradition und individuelle Zyklusgestaltung in den Streichquartetten Nr. 3 F-Dur op. 18 (1897/1900) und Nr. 4 a-moll op. 25 (1904-1909)
Kapitel IV: Kontrapunkt als Befreiung. Satztechnische Differenzierung und motivische Abstraktion in der C-Dur Serenade op. 29 (1910) und im sechsten Streichquartett d-moll op. 35 (1916)
Kapitel V: Tradition und Distanz. Wilhelm Stenhammars kompositorische Entwicklung im Streichquartett
Anhang: Chronologisch -systematische Ubersicht uber Wilhelm Stenhammars Kompositionen
Preview: Studien zu den Streichquartetten von Wilhelm Stenhammar
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