Study score. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library).
World premiere: Frankfurt (Main), November 23, 1986
Music post-1945; New music (post-2000). Study Score. Composed 1985/86. 24 pages. Duration 15'. Breitkopf and Haertel #KM 2229. Published by Breitkopf and Haertel (BR.KM-2229).
ISBN 9790004501351. 9 x 12 inches.
Mein 2. Streichquartett Le jardin suspendu (Der hangende Garten) eroffnete den Reigen mehrerer um das gleiche Tonmaterial schweigender Stucke: Der Ton cis, der aus der Tiefe bis zum hochsten Diskant aufsteigt, bildet die wie ein Magnet wirksame Zentrale harmonisch-klangfarblichen Gestaltens. Auf ein in dramatischem Duktus gehaltenes Klangstruktur-Thema antwortet eine gregorianisch anmutende Urformel, aus der sich eine Art 2. Thema herausschalt, das im Durchfuhrungsmittelteil wieder zu seinem pentatonischen Kern zusammenschrumpft, jetzt aber sich polytempisch - im Sinne von Visionen, aber auch Halluzinationen - als Formel darstellt, die von inneren (virtuellen) Bedrohungen erzahlt , die zum Ende hin ins Uberirdische sich zu verandern sucht.(Theo Brandmuller)
World premiere: Frankfurt am Main, November 23, 1986.
Study score. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library).
World premiere: Frankfurt (Main), November 23, 1986
Music post-1945; New music (post-2000). Study Score. Composed 1985/86. 24 pages. Duration 15'. Breitkopf and Haertel #KM 2229. Published by Breitkopf and Haertel (BR.KM-2229).
ISBN 9790004501351. 9 x 12 inches.
Mein 2. Streichquartett Le jardin suspendu (Der hangende Garten) eroffnete den Reigen mehrerer um das gleiche Tonmaterial schweigender Stucke: Der Ton cis, der aus der Tiefe bis zum hochsten Diskant aufsteigt, bildet die wie ein Magnet wirksame Zentrale harmonisch-klangfarblichen Gestaltens. Auf ein in dramatischem Duktus gehaltenes Klangstruktur-Thema antwortet eine gregorianisch anmutende Urformel, aus der sich eine Art 2. Thema herausschalt, das im Durchfuhrungsmittelteil wieder zu seinem pentatonischen Kern zusammenschrumpft, jetzt aber sich polytempisch - im Sinne von Visionen, aber auch Halluzinationen - als Formel darstellt, die von inneren (virtuellen) Bedrohungen erzahlt , die zum Ende hin ins Uberirdische sich zu verandern sucht.(Theo Brandmuller)
World premiere: Frankfurt am Main, November 23, 1986.
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