String Quartet #2 - Aqua Vitae String Quartet - Digital Sheet Music
Hobart, Tasmania
My second string quartet "Aqua Vitae" is a portrait of the natural water systems that bring clean water from the great mountain that shadows Hobart, Tasmania, through various rivulets back to the river, where it can be purified by evaporation and return to the top of the mountain to begin the cycle again.The opening section uses a blend of folk and old liturgical styles to suggest the purity of the source of the rivulet at the top of the mountain. This then gives way to a section illustrating the growing streams as a magnet for local life – using fragments of bird calls and pizzicato water “plops”, and incorporating a canon of a falling figure alternating and superimposing triplet and semiquaver rhythms representing the turbulence of waterfalls. A sharp turn into the controlled water flow through the city finds urban noises (again using the grace note “flicks” from the birds earlier but in more man-made context) and the eerie sounds of the underground pipes that divert the flow, before the water tumbles into the river and is once again drawn into the sky to be spirited away to the top of the mountain.Thanks to Anita, Emily and Nara for their recording of the piece linked below.Visit my YouTube page for more performances, arrangements and compositions
Details
Summary
- Format:
- Score and Parts
- Item types:
- Digital
- Level:
- Intermediate
- Usages:
- School and Community
- Number of Pages:
- 35
Detailed Description
SKU: A0.1458781
Composed by Greg Woodward. 21st Century,Chamber,Classical. 35 pages. Greg Woodward #1037716. Published by Greg Woodward (A0.1458781).My second string quartet "Aqua Vitae" is a portrait of the natural water systems that bring clean water from the great mountain that shadows Hobart, Tasmania, through various rivulets back to the river, where it can be purified by evaporation and return to the top of the mountain to begin the cycle again.
The opening section uses a blend of folk and old liturgical styles to suggest the purity of the source of the rivulet at the top of the mountain. This then gives way to a section illustrating the growing streams as a magnet for local life – using fragments of bird calls and pizzicato water “plops”, and incorporating a canon of a falling figure alternating and superimposing triplet and semiquaver rhythms representing the turbulence of waterfalls. A sharp turn into the controlled water flow through the city finds urban noises (again using the grace note “flicks” from the birds earlier but in more man-made context) and the eerie sounds of the underground pipes that divert the flow, before the water tumbles into the river and is once again drawn into the sky to be spirited away to the top of the mountain.
Thanks to Anita, Emily and Nara for their recording of the piece linked below.
Visit my YouTube page for more performances, arrangements and compositions.
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