• Still, Still, Still Piano Solo - Digital Sheet Music
  • Still, Still, Still Piano Solo - Digital Sheet Music page 2
  • Still, Still, Still Piano Solo - Digital Sheet Music
  • Still, Still, Still Piano Solo - Digital Sheet Music page 2

Still, Still, Still Piano Solo - Digital Sheet Music

I don’t recall when I first heard this Austrian carol, but I immediately fell in love with it and knew that it must be a part of this collection. Written in the somewhat unusual meter of 5/4, (before shifting over to 6/4), this prelude is one of the less technically demanding pieces in the set, though it does make use of much of the piano’s vast range. The simple chordal treatment of the melody over arpeggiated chords imparts an air of tranquility that is maintained throughout the first verse. When it transitions to 6/4 for the second verse, the use of the low octaves in the left hand give an even greater sense of gravity to the prelude and the off-beats in the right hand must be played with an almost clock-like precision to create the impression of stillness and the vastness of eternity. The closing chordal progression is one of my favorite moments in all of these pieces as I tried to capture the uncertainty, yet inevitability of time.

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Details

Summary
Instrument:
Piano Solo
Genres:
Folk Songs Christmas Carols
Publishers:
Niska Music Publishing
Series:
ArrangeMe
Format:
Score
Item types:
Digital
Level:
Intermediate
Usages:
Christmas
Number of Pages:
4
Detailed Description
Piano Solo - Level 3 - Digital Download

SKU: A0.950930

Composed by Austrian Folk Tune. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #6466305. Published by Niska Music Publishing (A0.950930).

I don’t recall when I first heard this Austrian carol, but I immediately fell in love with it and knew that it must be a part of this collection. Written in the somewhat unusual meter of 5/4, (before shifting over to 6/4), this prelude is one of the less technically demanding pieces in the set, though it does make use of much of the piano’s vast range. The simple chordal treatment of the melody over arpeggiated chords imparts an air of tranquility that is maintained throughout the first verse. When it transitions to 6/4 for the second verse, the use of the low octaves in the left hand give an even greater sense of gravity to the prelude and the off-beats in the right hand must be played with an almost clock-like precision to create the impression of stillness and the vastness of eternity. The closing chordal progression is one of my favorite moments in all of these pieces as I tried to capture the uncertainty, yet inevitability of time.

About ArrangeMe

This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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