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Spirituals We Love (Digital Delivery) Your Favorite Composers Share a Few of Their Favorites by Various Piano Solo - Digital Sheet Music

By Various

In this fourth installment of the “Hymns We Love” series, six of your favorite arrangers apply their skills to the melodies and rhythms of the American spiritual. Because spirituals share roots with many popular music styles, you will find more than a touch of jazz in this collection, such as Mary McDonald’s swinging “Joshua” and a driving “Didn’t My Lord Deliver Daniel?” by Mark Hayes. But there is also a sensitive and beautiful side to this repertoire, as seen in Larry Shackley’s arrangement of “My Lord, What a Morning” and Lloyd Larson’s treatment of “There Is a Balm in Gilead.” As in previous volumes, each selection is introduced by a personal note from the arranger. (Print edition also available: 70/1725L)

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Details

Summary
Instrument:
Piano Solo
Genres:
Spirituals
Composers:
Various
Publishers:
Lorenz Publishing - Digital Sheet Music
ISBN:
9781429117029
Item types:
Digital
Level:
Intermediate Advanced
Artist:
Various
Arrangers:
Mark Hayes
Usages:
Hymn Anthems
Detailed Description
Piano - Moderately Advanced - Digital Download

SKU: LX.70-1725L

Your Favorite Composers Share a Few of Their Favorites. Composed by Various. Arranged by Mark Hayes. Hymns We Love. Sacred, Spiritual. Church Piano. Lorenz Publishing - Digital Sheet Music #e70/1725L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1725L).

ISBN 9781429117029.

In this fourth installment of the “Hymns We Love” series, six of your favorite arrangers apply their skills to the melodies and rhythms of the American spiritual. Because spirituals share roots with many popular music styles, you will find more than a touch of jazz in this collection, such as Mary McDonald’s swinging “Joshua” and a driving “Didn’t My Lord Deliver Daniel?” by Mark Hayes. But there is also a sensitive and beautiful side to this repertoire, as seen in Larry Shackley’s arrangement of “My Lord, What a Morning” and Lloyd Larson’s treatment of “There Is a Balm in Gilead.” As in previous volumes, each selection is introduced by a personal note from the arranger. (Print edition also available: 70/1725L).

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