Sonata op.19 n.1 in B flat major for lever harp Celtic Harp - Digital Sheet Music

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp. His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded. For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp. As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score. Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

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Details

Summary
Format:
Score
Item types:
Digital
Level:
Late Intermediate
Musical forms:
Sonata
Usages:
School and Community
Number of Pages:
18
Detailed Description
Harp - Level 4 - Digital Download

SKU: A0.829285

Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. This edition: pdf, streaming. Classical, Multicultural, Standards, World. Score. 18 pages. A work by Alessandro Palazzani #6273809. Published by A work by Alessandro Palazzani (A0.829285).

François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp. His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded. For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp. As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score. Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.

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