• Serenade, Op. 7 in Eb by Richard Strauss Concert Band - Sheet Music

Serenade, Op. 7 in Eb by Richard Strauss Concert Band - Sheet Music

By Richard Strauss

Written in 1881, this Serenade in E-flat for 13 wind instruments was written by Richard Strauss when he was only 17 years old. His father, the principal horn player with Munich's court orchestra, had a select list of older composers that he preferred, including Mozart and Mendelssohn, and his father's influence can be seen in his son's work, both in the inclusion of a larger horn section and the use of his father's more conservative musical preferences. The work is much more than simply a capable imitation of Mozart and Mendelssohn, though. It represents Strauss' filtering and distillation of these influences into something remarkably original and identifies the young man's future as one of the great composers. This edition by famed band master Frederick Fennell addresses balance issues and supplies the director with some additional instrumentation options. Instrumentation: 2.2.2+CBCl(opt).2+CBsn: 4.0.0.0: CtrBs(opt).

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Details

Summary
Ensembles:
Concert Band
Genres:
20th Century
Composers:
Richard Strauss
Publishers:
LudwigMasters Publications
UPC:
753625164137
Format:
Score and Parts
Item types:
Physical
Level:
Grade 3
Artist:
Richard Strauss
Usages:
School and Community
Shipping Weight:
0.63 pounds
Detailed Description
Wind Ensemble 2.2.2+CBCl(opt).2+CBsn: 4.0.0.0: CtrBs(opt) - Grade 3

SKU: AP.36-10100224

Composed by Richard Strauss. Arranged by Frederick Fennell. This edition: Fennell Editions. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Fennell Editions - LudwigMasters. Masterwork Arrangement. Score and Part(s). LudwigMasters Publications #36-10100224. Published by LudwigMasters Publications (AP.36-10100224).

UPC: 753625164137. English.

Written in 1881, this Serenade in E-flat for 13 wind instruments was written by Richard Strauss when he was only 17 years old. His father, the principal horn player with Munich's court orchestra, had a select list of older composers that he preferred, including Mozart and Mendelssohn, and his father's influence can be seen in his son's work, both in the inclusion of a larger horn section and the use of his father's more conservative musical preferences. The work is much more than simply a capable imitation of Mozart and Mendelssohn, though. It represents Strauss' filtering and distillation of these influences into something remarkably original and identifies the young man's future as one of the great composers. This edition by famed band master Frederick Fennell addresses balance issues and supplies the director with some additional instrumentation options. Instrumentation: 2.2.2+CBCl(opt).2+CBsn: 4.0.0.0: CtrBs(opt).

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