• Sérénade by Charles Marie Widor Flute Solo - Digital Sheet Music
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Sérénade Op. 6/5 by Charles Marie Widor Flute Solo - Digital Sheet Music

By Charles Marie Widor

Having grown up in a family of organ-builders and organists, the path of Charles-Marie Widor as an organist was predestined. In 1870 he moved from Lyon, the town of his birth, to Paris and became titular organist at Saint-Sulpice. In 1890 Widor succeeded César Franck as professor of organ studies at the Paris Conservatoire, where six years later he was appointed professor of composition, too. Alongside orchestral works, solo concertos, vocal pieces and chamber music, Widor’s most important musical achievement was his contribution to the genre of the organ symphony. His Suite op. 34 for flute and piano, structured around a Romance (1881) and composed for Paul Taffanel, may be considered as marking the beginning of the modern French flute school: here for the first time a composition makes full use of the bright tone of the Böhm flute, as introduced to the music world by Taffanel and his pupils. This Sérénade op. 65 is the arrangement of a duo for harmonium and organ. No further information about the arranger has been found. Plate no. 27148 / published in 1903.

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Details

Summary
Format:
Score
Item types:
Digital
Level:
Intermediate Advanced
Artist:
Charles Marie Widor
Usages:
School and Community
Number of Pages:
7
Detailed Description
Flute and piano - intermediate to advanced - Digital Download

SKU: S9.Q53385

Op. 6/5. Composed by Charles Marie Widor. Edited by Edmund Wachter; Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Score. Volume op. 6/5. 7 pages. Schott Music - Digital #Q53385. Published by Schott Music - Digital (S9.Q53385).

English • German.

Having grown up in a family of organ-builders and organists, the path of Charles-Marie Widor as an organist was predestined. In 1870 he moved from Lyon, the town of his birth, to Paris and became titular organist at Saint-Sulpice. In 1890 Widor succeeded César Franck as professor of organ studies at the Paris Conservatoire, where six years later he was appointed professor of composition, too. Alongside orchestral works, solo concertos, vocal pieces and chamber music, Widor’s most important musical achievement was his contribution to the genre of the organ symphony. His Suite op. 34 for flute and piano, structured around a Romance (1881) and composed for Paul Taffanel, may be considered as marking the beginning of the modern French flute school: here for the first time a composition makes full use of the bright tone of the Böhm flute, as introduced to the music world by Taffanel and his pupils. This Sérénade op. 65 is the arrangement of a duo for harmonium and organ. No further information about the arranger has been found. Plate no. 27148 / published in 1903.

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