Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet by Robert Schumann String Quartet - Digital Sheet Music

By Robert Schumann

The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

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Details

Summary
Instrument:
Cello Viola Violin
Ensembles:
String Quartet
Genres:
Romantic Period
Composers:
Robert Schumann
Publishers:
jmsgu3
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Instructionals:
Contest, Festival
Level:
Intermediate
Artist:
Robert Schumann
Arrangers:
James M. Guthrie
Usages:
School and Community
Number of Pages:
16
Detailed Description
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1427547

Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547).

The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

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