Sand Trap Chamber Music - Sheet Music
Sand Trap takes influence from the spontaneous, jagged unison lines played by bebop horn section pairings— Cannonball Adderley and Miles Davis or Dizzy Gillespie and Charlie Parker, for example—as well as the unison rhythms played by saxophone sections in big-bands. One can imagine a mini golf ball flying in the air, spinning, and bouncing on the turf after a putt, only to bounce to a halt into a sand trap, then to be smacked out and land right in the hole for a stroke well over par.Sand Trap takes influence from the spontaneous, jagged unison lines played by bebop horn sectionpairings — Cannonball Adderley and Miles Davis or Dizzy Gillespie and Charlie Parker, for example— as well as the unison rhythms played by saxophone sections in big-bands. One can imagine a minigolf ball flying in the air, spinning, and bouncing on the turf after a putt, only to bounce to a halt intoa sand trap, then to be smacked out and land right in the hole for a stroke well over par.
Details
Summary
- Format:
- Score Set of Parts Score and Parts
- Item types:
- Physical
- Usages:
- School and Community
- Number of Pages:
- 16
- Size:
- 9x12 inches
- Shipping Weight:
- 0.42 pounds
Detailed Description
SKU: PR.494033130
Composed by Ben Morris. This edition: saddle-wire stitch. Score and parts. 16 pages. Duration 00:05:30. Alias Press #494-03313. Published by Alias Press (PR.494033130).ISBN 9781491139783. UPC: 680160695232. 9x12 inches.
Sand Trap takes influence from the spontaneous, jagged unison lines played by bebop horn section pairings— Cannonball Adderley and Miles Davis or Dizzy Gillespie and Charlie Parker, for example—as well as the unison rhythms played by saxophone sections in big-bands. One can imagine a mini golf ball flying in the air, spinning, and bouncing on the turf after a putt, only to bounce to a halt into a sand trap, then to be smacked out and land right in the hole for a stroke well over par.
Sand Trap takes influence from the spontaneous, jagged unison lines played by bebop horn sectionpairings — Cannonball Adderley and Miles Davis or Dizzy Gillespie and Charlie Parker, for example— as well as the unison rhythms played by saxophone sections in big-bands. One can imagine a minigolf ball flying in the air, spinning, and bouncing on the turf after a putt, only to bounce to a halt intoa sand trap, then to be smacked out and land right in the hole for a stroke well over par.