• Requiem KV 626 by Wolfgang Amadeus Mozart 4-Part - Sheet Music
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Requiem KV 626 bearbeitet fur Soli, Chor und Orgel by Wolfgang Amadeus Mozart 4-Part - Sheet Music

By Wolfgang Amadeus Mozart

Mozart’s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices, chorus and organ allows this legendary masterpiece to be performed without orchestra, and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition, while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.Franz Xaver Süssmayr’s additions have been used to complete Mozart’s unfinished original.

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Details

Summary
Format:
Reduction
Item types:
Physical
Artist:
Wolfgang Amadeus Mozart
Arrangers:
Martin Focke Andreas Kohs
Usages:
Mass
Number of Pages:
119
Size:
10.63 x 7.48 inches
Shipping Weight:
0.96 pounds
Detailed Description
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, organ (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Organ) - Level 3

SKU: BA.BA07518

Bearbeitet fur Soli, Chor und Orgel. Composed by Wolfgang Amadeus Mozart. Arranged by Andreas Kohs and Martin Focke. Paperback. Choir & Organ. Arranged for Soloists, Choir and Organ. Organ reduction. K. 626. 119 pages. Baerenreiter Verlag #BA07518. Published by Baerenreiter Verlag (BA.BA07518).

ISBN 9790006526338. 10.63 x 7.48 inches. Text Language: Latin. Preface: Christoph Heimbucher.

Mozart’s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices, chorus and organ allows this legendary masterpiece to be performed without orchestra, and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition, while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.

Franz Xaver Süssmayr’s additions have been used to complete Mozart’s unfinished original.

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