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Requiem Arrangement for chamber orchestra by Urs Stäuble by Robert Schumann 4-Part - Sheet Music

By Robert Schumann

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers (The artist’s supreme calling is to devote his energies to sacred music). These words were written by Robert Schumann in January 1851 – even though, up to that point in time, his compositional output had been almost entirely secular. The following year, however, he composed his Missa sacra, op. 147, and the Requiem, op. 148. In these works he sought new forms of expression for the liturgical texts, to which end he repeatedly deviated from the precise wording of the originals. Both in terms of the text and the overall musical conception, his Requiem is certainly suitable for concert performances alongside its traditional use in church.This arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani and strings) enables the work to be performed by smaller ensembles while preserving its distinct choral-symphonic character.Original version: Soli (SATB), Coro (SATB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Arrangement for chamber orchestra: Soli (SATB), Coro (SATB), Fl, Ob, Clt, Fg, Cor, Timp, 2 Vl, Va, Vc, Cb

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Details

Summary
Instrument:
Choir Flute Voice
Ensembles:
4-Part SATB
Genres:
Romantic Period
Composers:
Robert Schumann
Publishers:
Carus Verlag
ISBN:
9790007296209
Format:
Vocal Score
Item types:
Physical
Level:
Grade 2
Artist:
Robert Schumann
Usages:
Mass
Main Key:
D flat major
Size:
7.5 x 10.67 inches
Shipping Weight:
0.5 pounds
Detailed Description
Orchestra Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Timp, 2 Vl, Va, Vc, Cb - Grade 2

SKU: CA.2732403

Arrangement for chamber orchestra by Urs Stäuble. Composed by Robert Schumann. Arranged by Urs Stäuble. Vocal score. Composed 1852/2024. Op. 148. Duration 40 minutes. Carus Verlag #CV 27.324/03. Published by Carus Verlag (CA.2732403).

ISBN 9790007296209. 7.5 x 10.67 inches. Key: D flat major. Latin.

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers (The artist’s supreme calling is to devote his energies to sacred music). These words were written by Robert Schumann in January 1851 – even though, up to that point in time, his compositional output had been almost entirely secular. The following year, however, he composed his Missa sacra, op. 147, and the Requiem, op. 148. In these works he sought new forms of expression for the liturgical texts, to which end he repeatedly deviated from the precise wording of the originals. Both in terms of the text and the overall musical conception, his Requiem is certainly suitable for concert performances alongside its traditional use in church.

This arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani and strings) enables the work to be performed by smaller ensembles while preserving its distinct choral-symphonic character.

Original version: Soli (SATB), Coro (SATB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Arrangement for chamber orchestra: Soli (SATB), Coro (SATB), Fl, Ob, Clt, Fg, Cor, Timp, 2 Vl, Va, Vc, Cb.

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