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Pure Imagination by Anthony Newley Jazz Ensemble - Digital Sheet Music

By Leslie Bricusse

A contemporary big band and vocal setting of “Pure Imagination,” this chart moves from an intimate rubato introduction into a relaxed slow bossa and later slow swing, giving both the singer and the band plenty of room to shape the song. Scored for standard big band with flugelhorns in the trumpet section and solo alto sax, it presents the full lyric and melody clearly before opening into extended instrumental sections that keep the energy building without ever losing the tune.The chart begins with a flugelhorn lead “semplice” over quiet piano, then brings in the vocal over slow bossa at around ♩ = 78. The singer carries complete verses with supportive, mid‑range ensemble writing and a light groove, so they can focus on sound, time and text rather than fighting the band. As the arrangement develops, the feel gradually opens up: an alto sax solo over the bossa, further development in the horns, then a shift into slow swing (around ♩ = 88) with trumpet lead and backgrounds, creating a natural arc from intimate to expansive and back again.Instrumentally, the writing makes full use of flugelhorns, sax pads and trombone colour to create a warm, modern palette while keeping ranges comfortable for advanced high school, tertiary and community bands. Rhythm section parts clearly mark the changes of feel (rubato, bossa, swing), with written ensemble figures and comping cues to help less experienced players lock in the groove and support the vocal. A solo for the alto sax is built over approachable, song‑centric changes that invite melodic improvisation rather than technical display, with written backgrounds that are easy to balance in rehearsal.This chart is ideal as the feature ballad in the middle of a set or as a centrepiece vocal number for concerts and festivals. It gives directors plenty to teach – breath, blend, dynamic control, phrasing across the band, and stylistic contrast between bossa and swing – while giving audiences a familiar song that unfolds in a clear, satisfying narrative: quiet flugel and voice, growing colour and motion, a more open instrumental section, and a gentle, reflective return to close.

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Details

Summary
Format:
Score and Parts
Item types:
Digital
Level:
Late Intermediate
Artist:
Anthony Newley
Usages:
School and Community
Number of Pages:
56
Detailed Description
Jazz Ensemble - Level 4 - Digital Download

SKU: A0.1944832

By Gene Wilder. Composed by Anthony Newley and Leslie Bricusse. Arranged by Adrian Kelly. This edition: pdf. Big Band, Broadway, Film/TV, Jazz, Musical/Show, Standards. 56 pages. The Western Australian Jazz Project #1501024. Published by The Western Australian Jazz Project (A0.1944832).

A contemporary big band and vocal setting of “Pure Imagination,” this chart moves from an intimate rubato introduction into a relaxed slow bossa and later slow swing, giving both the singer and the band plenty of room to shape the song. Scored for standard big band with flugelhorns in the trumpet section and solo alto sax, it presents the full lyric and melody clearly before opening into extended instrumental sections that keep the energy building without ever losing the tune.

The chart begins with a flugelhorn lead “semplice” over quiet piano, then brings in the vocal over slow bossa at around ♩ = 78. The singer carries complete verses with supportive, mid‑range ensemble writing and a light groove, so they can focus on sound, time and text rather than fighting the band. As the arrangement develops, the feel gradually opens up: an alto sax solo over the bossa, further development in the horns, then a shift into slow swing (around ♩ = 88) with trumpet lead and backgrounds, creating a natural arc from intimate to expansive and back again.

Instrumentally, the writing makes full use of flugelhorns, sax pads and trombone colour to create a warm, modern palette while keeping ranges comfortable for advanced high school, tertiary and community bands. Rhythm section parts clearly mark the changes of feel (rubato, bossa, swing), with written ensemble figures and comping cues to help less experienced players lock in the groove and support the vocal. A solo for the alto sax is built over approachable, song‑centric changes that invite melodic improvisation rather than technical display, with written backgrounds that are easy to balance in rehearsal.

This chart is ideal as the feature ballad in the middle of a set or as a centrepiece vocal number for concerts and festivals. It gives directors plenty to teach – breath, blend, dynamic control, phrasing across the band, and stylistic contrast between bossa and swing – while giving audiences a familiar song that unfolds in a clear, satisfying narrative: quiet flugel and voice, growing colour and motion, a more open instrumental section, and a gentle, reflective return to close.

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