• Psalm 114 Op. 51 MWV A 17 “Da Israel aus Ägypten zog” by Felix Bartholdy Mendelssohn SSAATTBB - Sheet Music

Psalm 114 Op. 51 MWV A 17 “Da Israel aus Ägypten zog” Urtext by Felix Bartholdy Mendelssohn SSAATTBB - Sheet Music

By Felix Bartholdy Mendelssohn

Felix Mendelssohn Bartholdy set the 114th Psalm to music during a summer holiday in Horchheim near Koblenz in 1839. After the world premiere at the Leipzig Gewandhaus, he subjected the score to a thorough revision, altered all the tempo markings and, above all, added a considerable amount of new measures. The result satisfied even the notoriously self-critical Mendelssohn: "I had really become particularly fond of this piece, even though it is hardly appropriate for the so-called public; but I liked it..."The present Urtext edition follows the first prints which were published simultaneously in Leipzig (by Breitkopf & Hartel) and London

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Details

Summary
Instrument:
Choir
Ensembles:
SSAATTBB Orchestra
Genres:
Christian Romantic Period
Composers:
Felix Bartholdy Mendelssohn
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004330272
Format:
Set of Parts
Item types:
Physical
Artist:
Felix Bartholdy Mendelssohn
Usages:
Psalms School and Community
Number of Pages:
120
Size:
9 x 12 inches
Shipping Weight:
1.31 pounds
Detailed Description
Woodwinds (choir: SSAATTBB – 2.2.2.2. – 4.2.3.0. – timp – str)

SKU: BR.OB-5188-30

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Folder. Orchester-Bibliothek (Orchestral Library).

I had really become especially fond of this piece, although it is hardly appropriate for the so-called public; but I liked it..., wrote Mendelssohn about his setting of Psalm CXIV.

Psalm; Romantic. Set of parts. 120 pages. Duration 14'. Breitkopf and Haertel #OB 5188-30. Published by Breitkopf and Haertel (BR.OB-5188-30).

ISBN 9790004330272. 9 x 12 inches.

Felix Mendelssohn Bartholdy set the 114th Psalm to music during a summer holiday in Horchheim near Koblenz in 1839. After the world premiere at the Leipzig Gewandhaus, he subjected the score to a thorough revision, altered all the tempo markings and, above all, added a considerable amount of new measures. The result satisfied even the notoriously self-critical Mendelssohn: "I had really become particularly fond of this piece, even though it is hardly appropriate for the so-called public; but I liked it..."The present Urtext edition follows the first prints which were published simultaneously in Leipzig (by Breitkopf & Hartel) and London.

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