• 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music
  • 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music page 2
  • 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music page 3
  • 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music page 4
  • 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music page 5
  • 'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music page 6

'Prologue' by Dr.Benjamin Robert Papperitz (1826-1903) for 3 Soprano Saxophones and 1 Tenor Saxophon Small Ensemble - Digital Sheet Music

Dr.B.R.Papperitz was professor of harmony at the Leipzig Conservetoire from 1851-1868 and was a major influence on the composers of his time, other than that I know very little!

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Details

Summary
Instrument:
Tenor Saxophone Soprano Saxophone
Ensembles:
Small Ensemble
Genres:
Romantic Period
Publishers:
Stephen Davies
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Usages:
School and Community
Number of Pages:
15
Detailed Description
Small Ensemble Soprano Saxophone, Tenor Saxophone - Level 3 - Digital Download

SKU: A0.891901

Composed by Dr.Benjamin Robert Papperitz. Arranged by Stephen Davies. This edition: pdf. Romantic Period. 15 pages. Stephen Davies #3470576. Published by Stephen Davies (A0.891901).

Using the unusual combination of 3 Soprano's & Tenor,the calm and simplistic opening to this piece gives it its charm, as the close harmonies open up to give any competent group an excercise in restraint. In addition, one of the most difficult things in music is to place staccato notes right on the beat, together, at a slow tempo! A good example of this is 'L'il Darlin' by Basie/Hefti, lots of bands have trouble with the 2 staccato crotchets in the main tune, placing them just so is tricky! Now, this is certainly not jazz, but the principle is the same.

Dr.B.R.Papperitz was professor of harmony at the Leipzig Conservetoire from 1851-1868 and was a major influence on the composers of his time, other than that I know very little!

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