Praeludio in G major for organ arranged for concert use by Josef Gabriel Rheinberger by Nicolaus Bruhns Organ Solo - Sheet Music

By Nicolaus Bruhns

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. The Prelude in G major by Nikolaus Bruhns arranged by Rheinberger in 1882 specifically "for concert performance" shows Rheinberger as an editor skilled at "recreating" older works. He added individual voices or chords to the original composition, and occasionally restructured the part-writing – an interesting version for performing on a late 19th-century organ.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition

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Details

Summary
Instrument:
Organ Solo
Genres:
Baroque Period
Composers:
Nicolaus Bruhns
Publishers:
Carus Verlag
ISBN:
9790007298395
Format:
Score
Item types:
Physical
Musical forms:
Prelude
Artist:
Nicolaus Bruhns
Arrangers:
Josef Gabriel Rheinberger
Usages:
School and Community
Main Key:
G major
Size:
9 x 12 inches
Shipping Weight:
0.21 pounds
Detailed Description
Organ

SKU: CA.5027400

Arranged for concert use by Josef Gabriel Rheinberger. Composed by Nicolaus Bruhns. Edited by Martin Weyer. Arranged by Josef Gabriel Rheinberger. Carus digital: Extra digital products. Carus digital: Sheet music as PDF. Score. Composed 1883. WoO 95. Carus Verlag #CV 50.274/00. Published by Carus Verlag (CA.5027400).

ISBN 9790007298395. 9 x 12 inches. Key: G major.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends.

The Prelude in G major by Nikolaus Bruhns arranged by Rheinberger in 1882 specifically "for concert performance" shows Rheinberger as an editor skilled at "recreating" older works. He added individual voices or chords to the original composition, and occasionally restructured the part-writing – an interesting version for performing on a late 19th-century organ.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition

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