Play Baroque!. Cello Piano Accompaniment - Sheet Music

Adventures in Early Music for Modern CellistsTwenty-six masterpieces of the baroque arranged and edited for cello with teaching notes and piano accompaniments[PDF Sample]This extensive collection of favourite baroque pieces — in attractive new arrangements for cello and piano by Angela East of Red Priest — will introduce the fascinating world of eighteenth-century playing to anyone young or old who is learning on a modern instrument. Angela's lively insights about bowing, fingering, vibrato and other aspects of baroque performance practice are sure to enhance the study of this repertoire for all teachers. In particular, non-specialists who know that an awareness of historical style can enhance the learning experience of pupils of a range of abilities from beginners to confident performers at an intermediate level will find this practical and accessible book of invaluable benefit.

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Details

Summary
Instrument:
Piano Accompaniment Cello Solo
Genres:
Baroque Period
Publishers:
Stainer & Bell Ltd.
ISBN:
9790220223815
Format:
Score Score and Part
Item types:
Physical
Instructionals:
Methods and More
Level:
Intermediate
Usages:
School and Community
Shipping Weight:
0.8 pounds
Detailed Description
Cello and Piano - intermediate

SKU: ST.H479

Composed by Angela East. String music. Adventures in Early Music for Modern Cellists. Twenty-six masterpieces of the baroque arranged and edited for cello with teaching notes and piano accompaniments. Score and part. Stainer & Bell Ltd. #H479. Published by Stainer & Bell Ltd. (ST.H479).

ISBN 9790220223815.


Adventures in Early Music for Modern Cellists
Twenty-six masterpieces of the baroque arranged and edited for cello with teaching notes and piano accompaniments
[PDF Sample]

This extensive collection of favourite baroque pieces — in attractive new arrangements for cello and piano by Angela East of Red Priest — will introduce the fascinating world of eighteenth-century playing to anyone young or old who is learning on a modern instrument. Angela's lively insights about bowing, fingering, vibrato and other aspects of baroque performance practice are sure to enhance the study of this repertoire for all teachers. In particular, non-specialists who know that an awareness of historical style can enhance the learning experience of pupils of a range of abilities from beginners to confident performers at an intermediate level will find this practical and accessible book of invaluable benefit.

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