Organ Method – Vol. 1 Organ - Sheet Music
This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especially the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.
Details
Summary
- Instrument:
- Organ Organ Solo
- Genres:
- Classical
- Publishers:
- Schott Music
- UPC:
- 073999671940
- ISBN:
- 9790001038218
- Format:
- Collection / Songbook
- Item types:
- Physical
- Instructionals:
- Methods and More
- Usages:
- School and Community
- Number of Pages:
- 68
- Size:
- 8.75x11.75x0.213 inches
- Shipping Weight:
- 0.73 pounds
Detailed Description
SKU: HL.49003816
Composed by Ernst Kaller. This edition: Saddle stitching. Sheet music. Edition Schott. Wer nach dieser Schule das Orgelspiel erlernen will, muss schon eine gewisse technische Fertigkeit auf dem Klavier besitzen. Die Pedalubungen zu Anfang sind grundlegend. Sie sind in allen angegebenen Tonarten und in allmahlich beschleunigtem Zeitmass ausz. Classical, Instruction. Softcover. 68 pages. Schott Music #ED2555-01. Published by Schott Music (HL.49003816).ISBN 9790001038218. UPC: 073999671940. 8.75x11.75x0.213 inches. German.
This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especially the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.
Song List
Fundamental Exercises in Pedal Technic
T.L. da Vittoria: Bicinium: Bonum erat
A. Zoilo: Bicinium: Quare fremuerunt
Melius illi
W. Dietrich: Exercise in e minor
G.P. Telemann: Largo
J.K.F. Fischer: Exercise in d minor
G.P. Telemann: Kanon
J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn
T.L. da Vittoria: Accedentes principes
J.K.F. Fischer: Exercises in g minor
W. Dietrich: Pedalubung
S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi
H.L. Hassler: Crucifixus
J.K.F. Fischer: Praeludium D major
J. Pachelbel: Exercise in a minor
W. Dietrich: Exercise in a flat major
R. Schwarz-Schilling: Kanon a 2
Kanon a 3
G. Aichinger: Stabat mater
J. Pachelbel: Durch Adams Fall ist ganz verderbt
J.K.F. Fischer: Praeludium f sharp minor
H.L. Hassler: Benedictus
J. Pachelbel: Was mein Gott will, das gescheh' allzeit
T.L.da Vittoria: Exclamans Jesus
S.Scheidt: Warum betrubst du dich, mein Herz IX. Versus. Choralis in Basso
D. Zipoli: Pastorale
J. Pachelbel: Vom Himmel hoch
J.S. Bach: Pedal-Exercitium
J.K.F. Fischer: Fuga g minor
J. Pachelbel: Komm, Gott Schopfer, heiliger Geist
J.K.F. Fischer: Praeludium und Fuga c sharp minor
W. Dietrich: Pedalsolo
Exercises in two part playing with one hand: J.K.F. Fischer: Praeludium und Fuga e minor
H.L. Hassler: Da Jesus an dem Kreuze stund
M. Praetorius: Es ist ein Ros entsprungen
S. Scheidt: Vom Himmel hoch
M. Praetorius: Nun bitten wir den heiligen Geist
B. Resinarius: Nun bitten wir den heiligen Geist
S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund
J.K.F. Fischer: Praeludium und Fuga h-Moll
J.S. Bach: Vom Himmel hoch
O Welt ich muss dich lassen
Herzlich tut mich verlangen
D. Buxtehude: Ach Herr, ich armen Sunder
J.S. Bach: Trio c minor
W. Dietrich: Pedalsolo/ Trill Exercise
J.S. Bach: Allein Gott in der Hoh' sei Ehr'
J.K.F. Fischer: Praeludium und Fuga e minor
J.L. Krebs: Trio fur 2 Manuale und Pedal
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- Publisher:
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