Music of Ancient Times Harpsichord - Digital Sheet Music

This collection provides an introduction to keyboard music of the earliest times, opening up a field which until recently has been relatively closed to the amateur musician. Beginning with the oldest testimony to the medieval art of organ composition preserved in England about 1350, it focuses on music of the Renaissance and early Baroqoue of whose rich achievements it seeks to give an overall impression.

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Details

Summary
Instrument:
Harpsichord Piano
Publishers:
Schott Music - Digital
Format:
Score
Item types:
Digital
Level:
Intermediate
Usages:
School and Community
Detailed Description
Piano (harpsichord) - intermediate - Digital Download

SKU: S9.Q16083

This edition: Sheet music. Piano - collection. Schott Piano Classics. Score. Schott Music - Digital #Q16083. Published by Schott Music - Digital (S9.Q16083).

This collection provides an introduction to keyboard music of the earliest times, opening up a field which until recently has been relatively closed to the amateur musician. Beginning with the oldest testimony to the medieval art of organ composition preserved in England about 1350, it focuses on music of the Renaissance and early Baroqoue of whose rich achievements it seeks to give an overall impression.

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Song List
  • J. Boumgartner: Aus dem Buxheimer Orgelbuch

  • Anonymus: Quant ien congneu a ma pense

  • H. Judenkunig: Ode prima. Maecenas atavis

  • H. Kotter: Preambulum in fa

  • L. Kleber: Preambulum in re

  • L. Kleber: Finale in re seu preambalon

  • H. Neusiedler: Der Zeuner tantz

  • H. Neusiedler: Judentantz

  • E. N. Ammerbach: Passametzo d'Angleterre

  • E. N. Ammerbach: Passametzo

  • A. Normiger: Meine Seel erhebt den Herrn

  • A. Normiger: Hertz Lieb ich Thu euch fragen

  • A. Normiger: Churf. Sachs. Witwen Mummerey Tanntz

  • A. Normiger: Der Mohren Auftzugkh

  • Anonym: Bassa imperiale/Saltarello del Bassa imperiale

  • S. Scheidt: Cantio belgica

  • S. Scheidt: Da Jesus an dem Kreuze stund

  • E. Kindermann: Preambulum 11. et 12. Toni

  • E. Kindermann: Sarrabanda

  • E. Kindermann: Ballet

  • J. Dalza: Pavana alla Venetiana

  • F. Bossinensis: Ricercar

  • G. Cavazzoni: Gloria (Missa Apostolorum)

  • G. Cavazzoni: Glorificamus te

  • G. Cavazzoni: Quoniam tu solus sanctus

  • G. Cavazzoni: Tu solus altissimus

  • G. Cavazzoni: Amen

  • Anonym: La forze d'hercole

  • F. Bendusi: Desiderata

  • F. Bendusi: Cortesana Padoana

  • G. Gabrieli: Intonatione Nono Tono

  • G. Gabrieli: Intonatione Undicesimo Tono

  • G. Diruta: Inni del Primo Tuono

  • G. M. Trabaci: Versi

  • A. Banchieri: Bizaria del Primo Tono

  • A. Banchieri: La Battaglia

  • G. Frescobaldi: Corrente

  • G. Frescobaldi: Partite sopra Folia

  • England: Anonymus: Standipes

  • Anonymus: Ritornell

  • H. Aston: A Hornepype

  • J. Bull: A Gigge

  • W. Byrd: A Gigg

  • Anonymus: Alman

  • Anonymus: Daunce

  • Anonymus: Corranto

  • W. Byrd: Pavane. The Earle of Salisbury

  • S. Kennedy: Corrant

  • D. L. Milan: Pavana

  • A. de Valderravano: Fantasia

  • M. de Fuenllana: Duo

  • A. de Cabezon: Duo

  • A. de Cabezon: Verso del primer tono

  • A. de Cabezon: Verso del quarto tono

  • A. de Cabezon: Fabordon y glosas del octavo tono

  • A. de Cabezon: Verso de Magnificat del septimo tono

  • Anonymus: Gaillarde

  • Anonymus: Tant que vivray

  • J.-B. Besardus: Praeludium

  • J. Ch. de Chambonnieres: Sarabande

  • D. Gaultier: Tombeau de Monsr. de Lenclos

  • L. Couperin: Canaris

  • L. Couperin: Sarabande

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