Mozart: Serenade No.12 in C minor “Nachtmusik” K388 - wind dectet by Wolfgang Amadeus Mozart Woodwind Quintet - Digital Sheet Music
By Wolfgang Amadeus Mozart
22133735
Mozart: Serenade No.12 in C minor “Nachtmusik” K388 - wind dectet
22133735
22133735
22133735
Details
Large Ensemble B-Flat Clarinet, B-flat Clarinet, Bassoon, Flute, Horn in E-Flat, Horn in E-flat, Oboe - Level 4 - Digital Download
In 1787, Mozart transcribed the work for string quintet.
The serenade is scored for 2 oboes, 2 clarinets, 2 horns, and 2 bassoons.
I have added 2 flutes, so it isnow scored for wind dectet (double wind quintet).
There are four movements:
Allegro, C minor, sonata form
Andante, E-flat major, sonata form
Menuet & Trio, C minor, Trio in C major, ternary form
Allegro, C minor, ends in C major, variation form with the fifth variation (in E-flat major) augmented.
The minuet is a canon. The oboes carry the melody with the bassoons answering one bar later.
The trio is also canonic with the response to the melody played upside down.
The finale is a set of variations containing a central episode in E-flat major and a coda that turns to C major near the end.
SKU: A0.504640
Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. This edition: audio, pdf, streaming. Classical. 152 pages. RayThompsonMusic #116436. Published by RayThompsonMusic (A0.504640).The Serenade No. 12 for winds in C minor, K. 388/384a, was written by Wolfgang Amadeus Mozart in 1782 or 1783.
The work is sometimes called "Nachtmusik".In 1787, Mozart transcribed the work for string quintet.
The serenade is scored for 2 oboes, 2 clarinets, 2 horns, and 2 bassoons.
I have added 2 flutes, so it isnow scored for wind dectet (double wind quintet).
There are four movements:
Allegro, C minor, sonata form
Andante, E-flat major, sonata form
Menuet & Trio, C minor, Trio in C major, ternary form
Allegro, C minor, ends in C major, variation form with the fifth variation (in E-flat major) augmented.
The minuet is a canon. The oboes carry the melody with the bassoons answering one bar later.
The trio is also canonic with the response to the melody played upside down.
The finale is a set of variations containing a central episode in E-flat major and a coda that turns to C major near the end.
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