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Movin' Thru (jazz combo) Flexible Instrumentation Concert Band - Digital Sheet Music

Movin’ Thru is a fun, jazzy, bluessy shuffle tune; which is based on the 12 bar B-flat blues form. Movin' Thru could be a fun concert opener or closer! Depending on how many solos are taken the duration of this piece will vary. This piece is enjoyable for beginners as well as experience musicians. Beginners are encourage to just improvise off of the melody as well as the concert B-flat scale.This piece focuses on unison playing and a bit of rhythmic independence. At the beginning, player II – does not need to play the rhythm exactly, but should focus on creating a round and strong sound! The director may choose to add piano tremolo’s, cymbal rolls or anything else during the first measure! Bars 12 and 13 need to be rhythmically accurate, chiefly for part I and part II. If part II are trumpet players they need to make sure that they take-out their harmon mute for those bars as it will give an extra "punch"! Feel free to watch a video of the music: https://www.youtube.com/watch?v=7K9TgeUrJjU&t=2s

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Details

Summary
Format:
Score Set of Parts Score and Parts
Item types:
Digital
Level:
Early Intermediate
Usages:
School and Community
Number of Pages:
31
Detailed Description
Concert Band - Level 2 - Digital Download

SKU: A0.995513

Composed by James M. Johnson. This edition: pdf, streaming. Blues, Jazz. Score and parts. 31 pages. Grass Roots Piano James Johnson #3565703. Published by Grass Roots Piano James Johnson (A0.995513).

Movin’ Thru is a fun, jazzy, bluessy shuffle tune; which is based on the 12 bar B-flat blues form. Movin' Thru could be a fun concert opener or closer! Depending on how many solos are taken the duration of this piece will vary. This piece is enjoyable for beginners as well as experience musicians. Beginners are encourage to just improvise off of the melody as well as the concert B-flat scale.
This piece focuses on unison playing and a bit of rhythmic independence. At the beginning, player II – does not need to play the rhythm exactly, but should focus on creating a round and strong sound! The director may choose to add piano tremolo’s, cymbal rolls or anything else during the first measure! Bars 12 and 13 need to be rhythmically accurate, chiefly for part I and part II. If part II are trumpet players they need to make sure that they take-out their harmon mute for those bars as it will give an extra "punch"! Feel free to watch a video of the music: https://www.youtube.com/watch?v=7K9TgeUrJjU&t=2s


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