20298704
Miss Trombone
20298704
20298704
20298704
Copyright Material for Preview Only - Sheet Music Plus
Band
SKU: SA.40871
Composed by Fillmore. Edited by Richard Sargeant. Original Works, Jazz/Ragtime, Concerto, Instrumental Solo. Reprint Source: Edwardsville: Serenissima Music, Inc., 2013. Plate 40871. 20th Century, American. Study score. Composed 1908. 20 pages. Duration 2.5 minutes. Serenissima #40871. Published by Serenissima (SA.40871).
ISBN 9781608740871. 8.27 x 11.69 inches.
Fillmore composed a total of fifteen band pieces featuring trombones - popularly known as 'trombone smears' - between 1908 to 1929. Miss Trombone, subtitled A Slippery Rag was the first of the series. Written in the ragtime style so popular at the time, the trombone 'smears' (glissandi) give the work a humorous character in keeping with the circus performances it was composed for. The new Serenissima Band Classics series is designed to offer band directors and others interested in this genre newly engraved authoritative editions which are prepared from the primary sources using the composer's original instrumentation, which is sometimes markedly different from that found in bands today.
Band
SKU: SA.40871
Composed by Fillmore. Edited by Richard Sargeant. Original Works, Jazz/Ragtime, Concerto, Instrumental Solo. Reprint Source: Edwardsville: Serenissima Music, Inc., 2013. Plate 40871. 20th Century, American. Study score. Composed 1908. 20 pages. Duration 2.5 minutes. Serenissima #40871. Published by Serenissima (SA.40871).
ISBN 9781608740871. 8.27 x 11.69 inches.
Fillmore composed a total of fifteen band pieces featuring trombones - popularly known as 'trombone smears' - between 1908 to 1929. Miss Trombone, subtitled A Slippery Rag was the first of the series. Written in the ragtime style so popular at the time, the trombone 'smears' (glissandi) give the work a humorous character in keeping with the circus performances it was composed for. The new Serenissima Band Classics series is designed to offer band directors and others interested in this genre newly engraved authoritative editions which are prepared from the primary sources using the composer's original instrumentation, which is sometimes markedly different from that found in bands today.
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