• Messa “Mariae Dicata” Mixed Choir - Sheet Music

Messa “Mariae Dicata” SSTTB and Organ Latin Mixed Choir - Sheet Music

Nearly thirty works – including motets, masses, cantatas, and other sacred compositions – attest to the central role of religiously inspired music in Nino Rota's (1911–1979) vocal, choral, and symphonic output. Of particular interest, owing to their close connection with the liturgical sphere, is the series of three masses he composed in rapid succession between 1960 and 1962, the first of which is the Messa per coro e organo “Mariae dicata”. The Mass is structured according to the five fixed sections of the Ordinarium Missae (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) and largely follows the traditional formal models associated with each movement. The vocal writing is predominantly homophonic, with occasional contrapuntal passages and a brief fugato in the Sanctus. Despite this economy of means, several distinctive features of Rota’s style stand out, such as the chromatic motifs that accompany the Gloria and the Credo. The organ primarily provides harmonic support, except in the passage preceding the intonation of the Benedictus, where reprises instrumentally the vocal incipit of the Gloria.

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Details

Summary
Instrument:
Choir Organ Accompaniment
Ensembles:
Mixed Choir
Genres:
Christian Classical
Publishers:
Schott Music
Series:
Choral Large Works
EAN:
9798350186345
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Mass
Usages:
Mass School and Community
Number of Pages:
72
Size:
9 x 12 inches
Shipping Weight:
2.29 pounds
Detailed Description
SSTTB and Organ Mixed Choir; Organ Accompaniment (SSTTB)

SKU: HL.49047893

SSTTB and Organ Latin. Composed by Nina Rota. Choral Large Works. Choral, General Worship, Sacred. Softcover. 72 pages. Duration 2100 seconds. Schott Music #C60697. Published by Schott Music (HL.49047893).

9 x 12 inches.

Nearly thirty works – including motets, masses, cantatas, and other sacred compositions – attest to the central role of religiously inspired music in Nino Rota's (1911–1979) vocal, choral, and symphonic output. Of particular interest, owing to their close connection with the liturgical sphere, is the series of three masses he composed in rapid succession between 1960 and 1962, the first of which is the Messa per coro e organo “Mariae dicata”. The Mass is structured according to the five fixed sections of the Ordinarium Missae (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) and largely follows the traditional formal models associated with each movement. The vocal writing is predominantly homophonic, with occasional contrapuntal passages and a brief fugato in the Sanctus. Despite this economy of means, several distinctive features of Rota’s style stand out, such as the chromatic motifs that accompany the Gloria and the Credo. The organ primarily provides harmonic support, except in the passage preceding the intonation of the Benedictus, where reprises instrumentally the vocal incipit of the Gloria.

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