Composed by Johannes Brahms. Edited by Michael Musgrave. This edition: Paperbound. Choral collections. German title: Liebeslieder-Walzer. Innovative practice aids, Lieder for choir, Secular choral music. Full score. 56 pages. Carus Verlag #CV 40.211/00. Published by Carus Verlag (CA.4021100).
ISBN 9790007065317.
The Liebeslieder Waltzes op. 52 and their successors the Neue Liebeslieder Waltzes op. 65 are among the most popular works of Johannes Brahms. The unusual medium of the Liebeslieder, which combines piano duo with vocal quartet, unites two distinctive parts of his output: the vocal quartet with solo piano and original piano duo composition, creating an intimate stylistic relation between song and dance. The texts, taken from Daumer's Polydora, deal with aspects of love, serious, humorous, ironical, sincere.
Composed by Johannes Brahms. Edited by Michael Musgrave. This edition: Paperbound. Choral collections. German title: Liebeslieder-Walzer. Innovative practice aids, Lieder for choir, Secular choral music. Full score. 56 pages. Carus Verlag #CV 40.211/00. Published by Carus Verlag (CA.4021100).
ISBN 9790007065317.
The Liebeslieder Waltzes op. 52 and their successors the Neue Liebeslieder Waltzes op. 65 are among the most popular works of Johannes Brahms. The unusual medium of the Liebeslieder, which combines piano duo with vocal quartet, unites two distinctive parts of his output: the vocal quartet with solo piano and original piano duo composition, creating an intimate stylistic relation between song and dance. The texts, taken from Daumer's Polydora, deal with aspects of love, serious, humorous, ironical, sincere.
Rede, Madchen, Op. 52 no. 1 (Tell me maiden) - E-Dur/E major
Am Gesteine rauscht die Flut, Op. 52 no. 2 (O'er the rocks the tide roars on) - a-Moll/A minor
O die Frauen, Op. 52 no. 3 (O the Ladies) - A-Dur/A major
O die Frauen (Appendix), Op. 52 no. 3 (O the Ladies) - B-Dur/B-flat major
Wie des Abends schone Rote, Op. 52 no. 4 (As the evening's radiant sunset) - F-Dur/F major
Die grune Hopfenranke, Op. 52 no. 5 (The green and trailing) - a-Moll/A minor
Ein kleiner, hubscher Vogel, Op. 52 no. 6 (A little, pretty bird) - A-Dur/A major
Wohl schon bewandt war es, Op. 52 no. 7 (How beautiful it was) - c-Moll/C minor
Wenn so lind dein Auge mir, Op. 52 no. 8 (When your eyes so softly gaze) - As-Dur/Ab major
Am Donaustrande, Op. 52 no. 9 (By Danube's waters) - E-Dur/E major
O wie sanft, Op. 52 no. 10 (O how gently) - G-Dur/G major
Nein, es ist nicht auszukommen, Op. 52 no. 11 (No, there is no putting out) - c-Moll/C minor
Schlosser, auf, und mache Schlosser, Op. 52 no. 12 (Locksmith, up, and make your locks) - Es-Dur/Eb major
Vogelein durchrauscht die Luft, Op. 52 no. 13 (Little bird wings through the air) - As-Dur/Ab major
Sieh, wie ist die Welle klar, Op. 52 no. 14 (See, how clear the ripples are) - Es-Dur/Eb major
Nachtigall, sie singt so schon, Op. 52 no. 15 (Nightingale she sings so fine) - As-Dur/Ab major
Ein dunkeler Schacht ist Liebe, Op. 52 no. 16 (A well dark and deep is love) - f-Moll/F minor
Nicht wandle, mein Licht, Op. 52 no. 17 (Don't wander, beloved) - Des-Dur/D-flat major
Es bebet das Gestrauche, Op. 52 no. 18 (A trembling stirs the bushes)
Preview: Liebeslieder-Walzer, Op. 52
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