Keramos - SATB divisi Octavo by Stephen Schwartz Divisi - Sheet Music

By Stephen Schwartz

From the notes by the composer: I am an admirer of traditional West African music, with its direct simplicity and wonderful rhythmic complexity. I have composed an original piece of music with text excerpts from “The Pulse of Life” by Catherine De Vinck interwoven with the dominant Lambango lyric: “Ye Jaliya-o, Allah le ka Jaliya da” Oh music, God created music. The “you are the heart, you are the sound....” “Pulse of Life” chant begins as an undercurrent that rises and falls until it overtakes the piece. The rhythms in this piece are clearly African influenced, as is its tonality. The raised fourth (C sharp) is characteristic of Sauta, one of the kora traditional tunings. The kora is a 21 s. Also available in SSA.

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Details

Summary
Instrument:
Choir
Ensembles:
Divisi 4-Part SATB Mixed Choir
Genres:
Broadway Classical
Composers:
Stephen Schwartz
Publishers:
Santa Barbara Music Publishing
UPC:
964807007252
Format:
Octavo
Item types:
Physical
Level:
Intermediate
Artist:
Stephen Schwartz
Usages:
School and Community
Number of Pages:
20
Shipping Weight:
1 pounds
Detailed Description
SATB choir, divisi, percussion accompaniment - Intermediate

SKU: SB.SBMP-725

Composed by Stephen Schwartz. Choral. Daniel Hughes Choral Series. Classical. Octavo. 20 pages. Santa Barbara Music Publishing #SBMP725. Published by Santa Barbara Music Publishing (SB.SBMP-725).

UPC: 964807007252. Text by Henry Wadsworth Longfellow.

From the notes by the composer: I am an admirer of traditional West African music, with its direct simplicity and wonderful rhythmic complexity. I have composed an original piece of music with text excerpts from “The Pulse of Life” by Catherine De Vinck interwoven with the dominant Lambango lyric: “Ye Jaliya-o, Allah le ka Jaliya da” Oh music, God created music. The “you are the heart, you are the sound....” “Pulse of Life” chant begins as an undercurrent that rises and falls until it overtakes the piece. The rhythms in this piece are clearly African influenced, as is its tonality. The raised fourth (C sharp) is characteristic of Sauta, one of the kora traditional tunings. The kora is a 21 s. Also available in SSA.

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