• Jesu, to bring thee praise adoring by Georg Philipp Telemann 4-Part - Sheet Music
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Jesu, to bring thee praise adoring Kantate zum 12. Sonntag nach Trinitatis by Georg Philipp Telemann 4-Part - Sheet Music

By Georg Philipp Telemann

This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish.

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Details

Summary
Instrument:
Choir
Ensembles:
4-Part SATB
Genres:
Christian Baroque Period
Composers:
Georg Philipp Telemann
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007055615
Format:
Score
Item types:
Physical
Musical forms:
Cantata
Artist:
Georg Philipp Telemann
Arrangers:
Klaus Hofmann
Usages:
Praise Gratitude & Thanksgiving
Size:
8.27 x 11.69 inches
Number of Pages:
16
Shipping Weight:
0.2 pounds
Detailed Description
Solo S (T), Blfl f1 (Vl), Ob (Vl), Bc, [Coro SATB, 2 Vl, Va, Vc/Cb]

SKU: CA.3912000

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Carus digital: Sheet music as PDF. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Score. TVWV 1:531a. 16 pages. Duration 12 minutes. Carus Verlag #CV 39.120/00. Published by Carus Verlag (CA.3912000).

ISBN 9790007055615. 8.27 x 11.69 inches. Language: German/English.

This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish.

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