Influencia Do Jazz Piano - Digital Sheet Music

"Influência do Jazz" (Influence of Jazz) is a famous composition by Carlos Lyra, released in 1963. The song is a humorous musical chronicle that ironically criticizes the massification and "Americanization" of traditional samba due to North American harmonies, marking Lyra's transition to "engaged" Bossa Nova and the movement to value popular roots. Released on the album Depois do Carnaval, O Sambalanço de Carlos Lyra, the song exemplifies the author's critical stance regarding the excessive mixing of rhythms. The lyrics lament that samba has become mixed, modernized, and lost its way. Lyra uses the verses "Poor samba of mine / it was mixing, modernizing, and getting lost" to illustrate how the complex structure of jazz and other rhythms was altering the essence of the Brazilian genre. The composer uses the very music he helped create to engage in self-criticism. He points out that authentic samba "sways," while imported rhythms left samba "somewhat crooked" and with "too many notes." The song reflects Carlos Lyra's approach to the Popular Culture Center (CPC) of the UNE (National Union of Students), where many composers began to abandon themes from the South Zone of Rio de Janeiro to focus on social causes and the defense of national identity.

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Details

Summary
Instrument:
Piano C Instrument
Genres:
20th Century Jazz Latin Multicultural
Publishers:
ALEX CARLYLE
Series:
ArrangeMe
Format:
Fake Book
Item types:
Digital
Level:
Early Intermediate
Usages:
School and Community
Number of Pages:
1
Detailed Description
C Instrument, C Instruments - Level 2 - Digital Download

SKU: A0.1901842

Composed by Carlos Eduardo Lyra Barbosa. Arranged by Alex Carlyle. This edition: pdf, streaming. 20th Century, Latin, Multicultural, World. Lead Sheet / Fake Book. 1 pages. ALEX CARLYLE #1460076. Published by ALEX CARLYLE (A0.1901842).

"Influência do Jazz" (Influence of Jazz) is a famous composition by Carlos Lyra, released in 1963. The song is a humorous musical chronicle that ironically criticizes the massification and "Americanization" of traditional samba due to North American harmonies, marking Lyra's transition to "engaged" Bossa Nova and the movement to value popular roots. Released on the album Depois do Carnaval, O Sambalanço de Carlos Lyra, the song exemplifies the author's critical stance regarding the excessive mixing of rhythms. The lyrics lament that samba has become mixed, modernized, and lost its way. Lyra uses the verses "Poor samba of mine / it was mixing, modernizing, and getting lost" to illustrate how the complex structure of jazz and other rhythms was altering the essence of the Brazilian genre. The composer uses the very music he helped create to engage in self-criticism. He points out that authentic samba "sways," while imported rhythms left samba "somewhat crooked" and with "too many notes." The song reflects Carlos Lyra's approach to the Popular Culture Center (CPC) of the UNE (National Union of Students), where many composers began to abandon themes from the South Zone of Rio de Janeiro to focus on social causes and the defense of national identity.

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