• (I Am A Poor) Wayfaring Stranger- string quartet by Traditional String Quartet - Digital Sheet Music
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(I Am A Poor) Wayfaring Stranger- string quartet by Traditional String Quartet - Digital Sheet Music

By Traditional

Wayfaring Stranger- for string quartet with optional bass. Traditional American Folk Song arranged by John Hoesly. Also known as "Poor Wayfaring Stranger" and "I Am A Poor Wayfaring Stranger", this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film "1917" where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.

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Details

Summary
Instrument:
Cello Viola Violin
Ensembles:
String Quartet
Genres:
Folk TV Movies Contemporary
Composers:
Traditional
Publishers:
PRS&B
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Artist:
Traditional
Usages:
School and Community
Number of Pages:
19
Detailed Description
String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.753639

Composed by Traditional. Arranged by John Hoesly. This edition: pdf. Contemporary, Film/TV, Folk. 19 pages. PRS&B #5218597. Published by PRS&B (A0.753639).

Wayfaring Stranger- for string quartet with optional bass. Traditional American Folk Song arranged by John Hoesly. Also known as "Poor Wayfaring Stranger" and "I Am A Poor Wayfaring Stranger", this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film "1917" where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.






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