• Humoresques Op. 101 by Antonin Dvorak Piano Solo - Sheet Music
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Humoresques Op. 101 Piano by Antonin Dvorak Piano Solo - Sheet Music

By Antonin Dvorak

In the summer of 1894, Antonín Dvorák interrupted his stay in America in order to spend his holidays back in his homeland of Bohemia. During those happy weeks, he wrote his eight Humoresques for piano. But this music is not by no means as “Bohemian” as one might suppose. We know that Dvorák had already sketched some of the material for these pieces in New York, and there are also indications that the composer initially considered writing a series of Scottish dances. In other words, these are thoroughly international pieces, with an inflexion all of their own. And they are of a medium level of difficulty, enabling pianists of all ages to discover a lot more than just the famous, catchy tune of no. 7. This Henle Urtext edition is based on the first print, which the editors have carefully checked against the autograph.

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Details

Summary
Instrument:
Piano Solo
Genres:
Romantic Period
Composers:
Antonin Dvorak
Publishers:
G. Henle
Series:
Henle Urtext 101 Songs
UPC:
888680745349
ISBN:
9790201810447
EAN:
9790201810447
Format:
Collection / Songbook
Item types:
Physical
Artist:
Antonin Dvorak
Usages:
School and Community
Size:
9.0x12.0x0.125 inches
Number of Pages:
40
Shipping Weight:
0.48 pounds
Detailed Description
Piano (Piano solo) - x, x

SKU: HL.51481044

Piano. Composed by Antonin Dvorak. Edited by Christian Schaper and Ullrich Scheideler. Arranged by Jacob Leuschner. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 40 pages. G. Henle #HN1044. Published by G. Henle (HL.51481044).

ISBN 9790201810447. UPC: 888680745349. 9.0x12.0x0.125 inches.

In the summer of 1894, Antonín Dvorák interrupted his stay in America in order to spend his holidays back in his homeland of Bohemia. During those happy weeks, he wrote his eight Humoresques for piano. But this music is not by no means as “Bohemian” as one might suppose. We know that Dvorák had already sketched some of the material for these pieces in New York, and there are also indications that the composer initially considered writing a series of Scottish dances. In other words, these are thoroughly international pieces, with an inflexion all of their own. And they are of a medium level of difficulty, enabling pianists of all ages to discover a lot more than just the famous, catchy tune of no. 7. This Henle Urtext edition is based on the first print, which the editors have carefully checked against the autograph.

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