• Holy God, We Praise Your Name (3-5 octaves) by Anna Laura Page 5-Octaves - Digital Sheet Music
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  • Holy God, We Praise Your Name (3-5 octaves) by Anna Laura Page 5-Octaves - Digital Sheet Music page 4

Holy God, We Praise Your Name (3-5 octaves) by Anna Laura Page 5-Octaves - Digital Sheet Music

By Anna Laura Page

This piece, which was the second movement of the cantata, was originally written for soprano and contralto duet, accompanied by cellos, double bass, and organ. The handbell arrangement incorporates all these parts. The bells ring the accompaniment parts and the soprano solo while the handchimes ring the contralto solo. The lowest bass line is always malleted while the upper bass line has an interesting and challenging eighth note pattern. Differentiating between accompaniment and solo lines, making the listener aware of both soprano and contralto solo lines, and ringing the piece at a brisk tempo will prove quite challenging to the advanced bell choir.

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Details

Summary
Instrument:
Handbell Percussion
Ensembles:
5-Octaves 4-Octaves 3-Octaves
Composers:
Anna Laura Page
Publishers:
Chorister's Guild - Digital
Series:
Women Composers and Arrangers
UPC:
749193008065
Format:
Score
Item types:
Digital
Artist:
Anna Laura Page
Arrangers:
Anna Laura Page
Usages:
Praise
Size:
8.5 x 11 inches
Number of Pages:
8
Detailed Description
Handbells - Level 2 - Digital Download

SKU: C7.CGB287

Composed by Anna Laura Page. Arranged by Anna Laura Page. General. Handbell Score. 8 pages. Chorister's Guild - Digital #CGB287. Published by Chorister's Guild - Digital (C7.CGB287).

UPC: 749193008065. 8.5 x 11 inches.

This piece, which was the second movement of the cantata, was originally written for soprano and contralto duet, accompanied by cellos, double bass, and organ. The handbell arrangement incorporates all these parts. The bells ring the accompaniment parts and the soprano solo while the handchimes ring the contralto solo. The lowest bass line is always malleted while the upper bass line has an interesting and challenging eighth note pattern. Differentiating between accompaniment and solo lines, making the listener aware of both soprano and contralto solo lines, and ringing the piece at a brisk tempo will prove quite challenging to the advanced bell choir.

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