Henry DUNHAM | Palm Sunday Op. 24, No. 1 | for String Quintet String Orchestra - Digital Sheet Music

Henry Morton Dunham (1853–1929) was an American composer and organist whose work reflects the Romantic tradition, particularly in sacred and ceremonial music. Born in Brockton, Massachusetts, he studied at the Northeast Conservatory of Music and Boston University College of Music, graduating in the 1870s. His output includes organ sonatas, orchestral works, and numerous church pieces, often characterized by expressive harmonies and liturgical depth.Palm Sunday is one of twelve organ pieces from Dunham’s New Church and Recital Pieces, Op. 24, published in 1912 by Arthur P. Schmidt in Boston. Palm Sunday evokes the solemn yet triumphant spirit of the Christian observance, using modal harmonies and processional rhythms to reflect the liturgical significance.

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Details

Summary
Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Usages:
Easter Palm Sunday School and Community
Number of Pages:
27
Detailed Description
String Ensemble, String Quintet Cello, Double Bass, String Bass, Viola, Violin - Level 3 - Digital Download

SKU: A0.1734173

By Henry Dunham. Composed by Henry Dunham. Arranged by Andrew Lamb. This edition: pdf, streaming. 19th Century, Easter, Religious. 27 pages. Andrew Lamb #1295677. Published by Andrew Lamb (A0.1734173).

Henry Morton Dunham (1853–1929) was an American composer and organist whose work reflects the Romantic tradition, particularly in sacred and ceremonial music. Born in Brockton, Massachusetts, he studied at the Northeast Conservatory of Music and Boston University College of Music, graduating in the 1870s. His output includes organ sonatas, orchestral works, and numerous church pieces, often characterized by expressive harmonies and liturgical depth.

Palm Sunday is one of twelve organ pieces from Dunham’s New Church and Recital Pieces, Op. 24, published in 1912 by Arthur P. Schmidt in Boston. Palm Sunday evokes the solemn yet triumphant spirit of the Christian observance, using modal harmonies and processional rhythms to reflect the liturgical significance.

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