• Hallelujah. Christ is arisen by Michael Praetorius SSATB - Sheet Music
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Hallelujah. Christ is arisen Chorale concert by Michael Praetorius SSATB - Sheet Music

By Michael Praetorius

The collection "Polyhymnia Caduceatrix & Panegyrica" of 1619 is rightly regarded as the high point in Michael Praetorius’s output. It combines "Solennische Friedt- und Frewden-Concert:" which Praetorius as a travelling musician had composed largely for festive occasions – he writes of "Kayser: König: Chur: vnd Fürstlichen zusammen Kunfften" – and also for "fürnehme Capellen vnd Kirchen". In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of "Es ist ein Ros entsprungen". And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones.Praetorius gives the verses of the well-known Easter hymn "Christ ist erstanden" to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs – ad lib, of course.

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Details

Summary
Instrument:
Choir
Ensembles:
SSATB 4-Part SATB SATB/SATB Double Choir
Genres:
Christian Baroque Period
Composers:
Michael Praetorius
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007171728
Format:
Score
Item types:
Physical
Musical forms:
Concerto
Artist:
Michael Praetorius
Usages:
Praise Gratitude & Thanksgiving
Size:
9 x 12 inches
Number of Pages:
24
Shipping Weight:
0.33 pounds
Detailed Description
Coro SSATB, [SATB/SATB], 8 Instr. ad lib., Bc

SKU: CA.1002700

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Genres / texts frequently set to music: Sacred vocal music. Sacred concertos, Sacred vocal music, Praise and thanks. Full score. 24 pages. Duration 8 minutes. Carus Verlag #CV 10.027/00. Published by Carus Verlag (CA.1002700).

ISBN 9790007171728. 9 x 12 inches. Text language: German.

The collection "Polyhymnia Caduceatrix & Panegyrica" of 1619 is rightly regarded as the high point in Michael Praetorius’s output. It combines "Solennische Friedt- und Frewden-Concert:" which Praetorius as a travelling musician had composed largely for festive occasions – he writes of "Kayser: König: Chur: vnd Fürstlichen zusammen Kunfften" – and also for "fürnehme Capellen vnd Kirchen". In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of "Es ist ein Ros entsprungen". And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones.

Praetorius gives the verses of the well-known Easter hymn "Christ ist erstanden" to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs – ad lib, of course.

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