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Composed by Luise Greger. Edited by Barbara Gabler, Emilie Riedel, and Klaus Schutzmannsky. Sound Research of Women Composers: Twentieth Century (T 7). Romantic (19/20th century). Piano score. With modern typesetting. Duration 50 minutes. Furore Verlag #FUE 7247. Published by Furore Verlag (FV.FUE-7247).
ISBN ISMN 979-0-50182-270-6.
The fairy tale Ganseliesel (Goose Girl or Goose Lizzy) contains several motifs that can also be found in the Grimm fairy tales Hansel and Gretel, Little Red Riding Hood and The Frog Prince. The music contains singing solo pieces, duets and trios, as well as a leitmotif recurring miniatures for the characterization of various speaking roles. All music parts are short and in its stylistic diversity fancy and entertaining.
WP: 10.12.1933, Stadttheater Baden-Baden; new staging: 04.11.2012, Mehrgenerationenhaus Heilhaus Kassel.
Composed by Luise Greger. Edited by Barbara Gabler, Emilie Riedel, and Klaus Schutzmannsky. Sound Research of Women Composers: Twentieth Century (T 7). Romantic (19/20th century). Piano score. With modern typesetting. Duration 50 minutes. Furore Verlag #FUE 7247. Published by Furore Verlag (FV.FUE-7247).
ISBN ISMN 979-0-50182-270-6.
The fairy tale Ganseliesel (Goose Girl or Goose Lizzy) contains several motifs that can also be found in the Grimm fairy tales Hansel and Gretel, Little Red Riding Hood and The Frog Prince. The music contains singing solo pieces, duets and trios, as well as a leitmotif recurring miniatures for the characterization of various speaking roles. All music parts are short and in its stylistic diversity fancy and entertaining.
WP: 10.12.1933, Stadttheater Baden-Baden; new staging: 04.11.2012, Mehrgenerationenhaus Heilhaus Kassel.
Preview: Ganseliesel. Ein Marchenspiel op. 170
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