• Flayed Bassoon Solo - Digital Sheet Music
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Flayed Bassoon Solo - Digital Sheet Music

Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and the motives are broken apart and pieced back together in a variety of ways. This gives the music--in particular the A sections--a tumultuous, ever-moving character. The title is a loose reference to the breaking apart of these motives. The motives themselves were designed to take advantage of the composer's favorite attributes of the bassoon. In the first A section the opening motive is a very high, intense melody that is later displayed in different registers and with varying accompaniments, and the primary motive is a quick staccato gesture with large leaps. Both motives take full advantage of the bassoon's impressive range. In contrast, the B section focuses on the bassoon's lyrical capabilities with a much longer melody that forgoes the bassoon's upper register in favor of its rich middle and lower register. When the A section returns so does the primary motive, this time even more relentless as it builds to the end of the piece.

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Details

Summary
Format:
Set of Parts Score and Parts
Item types:
Digital
Instructionals:
Composition
Usages:
School and Community
Number of Pages:
22
Size:
9 x 12 in inches
Detailed Description
Bassoon & piano - Digital Download

SKU: IZ.BCMW152

Composed by Anna E. Garman. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 22 pages. Imagine Music - Digital #BCMW152. Published by Imagine Music - Digital (IZ.BCMW152).

9 x 12 in inches.

Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and the motives are broken apart and pieced back together in a variety of ways. This gives the music--in particular the A sections--a tumultuous, ever-moving character. The title is a loose reference to the breaking apart of these motives. The motives themselves were designed to take advantage of the composer's favorite attributes of the bassoon. In the first A section the opening motive is a very high, intense melody that is later displayed in different registers and with varying accompaniments, and the primary motive is a quick staccato gesture with large leaps. Both motives take full advantage of the bassoon's impressive range. In contrast, the B section focuses on the bassoon's lyrical capabilities with a much longer melody that forgoes the bassoon's upper register in favor of its rich middle and lower register. When the A section returns so does the primary motive, this time even more relentless as it builds to the end of the piece.

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